Latest Comments

[8.0] "I love total nonstop action wrestling. the hate it gets by a lot of elitist critics is stupid, impact in 2012-23 was such an underrated roster as well with mike Bailey etc and all the crossover ppvs they did with NJPW were always fun and awesome. they were definitely on wwe's level during there time in the dumps"

[9.0] "I would give it A 10 but they 1, haven't been around long enough and 2. I'm not the biggest young bucks fan and I dislike tf outta moxleys current reign. besides that though all elite is so amazing as a promotion and easily a top 2-3 promotion for wrestling in the world rn ^^ Mjf is possibly my fav wrestler ever, and Takeshita as well. now they have two of my other fav wrestlers to ever step in the ring too, speedball mike and the walking weapon ^^ All elites future is very bright especially after revolution and the past dynamites we've seen (besides the main event of revolution.... lol) aew has put on some of the greatest matches ever since they started too."

[10.0] "This is what I grew up on and nothing will ever really compare sadly. I love every other big promotion so much now as well, but wwe is what is deep in my heart forever snd most of my fav top fav matches ever come from wwe for me"

[10.0] "Greatest independent wrestling company in the history of wrestling. This Los Angeles indies company gave us more then 50-100 5 star matches for me. Chris hero vs Bryan at fronterie ppv of 2009 pwg one of the best matches ever, so is zsj vs Walter"

[] "Sometimes it feels like two steps forward and one step back with NOAH, they have good talent and shows but you have to slog through a lot of bad to get to the good. I'd like to think it's regenerating although very slowly. At least audiences seem more engaged nowadays. Still one of my most watched promotions, Kitamiya, Kenoh, Kiyomiya, OZAWA, KENTA, Marufuji (on his day) among others make it worth the watch. As for its history... that's a different story. Easily a part of wrestling history what a legacy. The Mutoh retirement recaptures that old magic."

[8.0] "They put on a terrific show but still somehow manage to hold onto a small town vibe. Many talented wrestlers on the roster to put on a weekly show on YouTube plus several PPVs each year. The shows are mostly just wrestling and do not waste half the time just talking in the ring like the big budget shows on the major networks."

[10.0] "A EWF é uma das maiores forças do pro wrestling brasileiro. A empresa entrega eventos de alto nível, com lutas bem produzidas, talentos promissores e um respeito enorme pela arte do wrestling. O trabalho que eles fazem para elevar o cenário nacional é algo que merece reconhecimento. Os wrestlers da EWF são extremamente dedicados e mostram um nível técnico impressionante. Cada show traz combates intensos, histórias bem construídas e aquela atmosfera que faz o público se envolver de verdade. Além disso, a produção e a organização dos eventos mostram o compromisso da empresa em oferecer sempre o melhor para os fãs. Se tem uma companhia que representa o crescimento e a evolução do wrestling no Brasil, essa é a EWF. O futuro do pro wrestling nacional passa por eles."

[9.0] "This company have save my passion for wrestling when it came out in 2019, since then i love wrestling more than ever"

[6.0] "I don't watch TNA as much, but I've seen a few matches and I can say this is a solid company. However, just like every wrestling company, this place has issues. Like random hirings, firings, bad matches, and more."

[6.0] "Pro Wrestling NOAH at the moment seems to be stalling on the gas petal they had in 2023 and through some parts of 2024. They can manage to be a good promotion but they've made mistakes that turns away wrestling viewers and it's looked down upon as a promotion in general. 2025 so far for NOAH has been as expected. Decent but forgettable. They made some brain dead decisions throughout 2023-24 that made the company look stupid and drove away fans. I'm happy that OZAWA is leading the charge here. I wanna see what they do with him but in general, they need more of a focus. [***]"

[9.0] "AEW is a good company and for a time it was on top of the world! I remember watching Double or Nothing back in 2019 and it blew me away with the presentation, the roster, and the match quality! My only qualm with All Elite Wrestling is that it sometimes becomes hypocritical with what they preach. Reusing legends for big matches, a messy main event scene, and a slight change in the product from a gritty take on professional wrestling to something akin to mid-90s WCW. AEW is far from bad, but it needs to fix its issues."

[10.0] "WWE was my introduction to professional wrestling and with that they have delivered a lot of great moments! Nothing beats the warm feeling of WrestleMania season as the company never fails in making historic moments! Sure there have been some slump years and controversies, but the product has gotten better with a new creative in charge! The roster is insanely talented and ever since 2022, every show has been enjoyable! Albeit with a few misses. WWE has a rich history and has a great presentation!"

[] "I have been watching puroresu for a few months now, and i gotta say, Dragongate was the first promotion i checked out, i am am nothing short of amazed, of course i know about NJPW, AJPW, NOAH, DDT, etc. But Dragongate is so good, from the speed and intensity of the matches to the fastastic events and tournaments, after years of watching it maybe my opinion would change, but it is really good and in my opinion japanese wrestling is way better than american wrestling."

[] "[10.0] For me the WWE is professional wrestling. Nothing has given me more joy when I needed it and been consistently there to give me a smile or laugh when I'm down. The greatest company of all time bar none."

[7.0] "Personally, I think the whole project is something interesting on the stage. But I would have a few comments. Maybe not to the founder herself, because Sareee herself does a great job as the main star and shows really great matches. But I think the booking of the rest of the matches could be a bit better. While the main events always deliver an unforgettable dose of emotions, I think the rest of the matches on the card still have room for development. However, please don't get me wrong, I think the level is high, which doesn't mean I'm completely sold. If the above-mentioned shortcoming is corrected, I will definitely correct my rating to a much higher one."

[6.0] "I think Guo Zhe start this promotion as a hardcore/violent promotion like CZW or BJW in China. Their opening show is nothing special. Cards in the first show feature a "Hardcore" match with Guo Zhe bleeding on the stage by 9527. Other match such as wang tao and He yinsheng's cards are boring. The triple threat match is similar to single match between Wang Junjie and Gong Yu. Kitty Zhang did several movements and that's it. Their second show "Battle at Yangcheng" has a better booking. The Slam vs Wang Tao in a flame match and Chen Wenbin+Cheng Da's tag match are ok. Big Sam vs Chen Wenbin is fine but nothing special. Adam Tang and Wang Junjie's rivalry is more interesting than all others even though the quality of the match is less than the three matches I mentioned. I don't know if Guo Zhe would like fully engage as a promotor or he would still wrestling under the name of "Vito" due to an unofficial Retirement. But for this promotion...... let's see how things goes in 2025"

[0.0] "A one and done. This concept could certainly have worked but its rather clear that this promotion was merely interested in turning a quick profit during the late 90s wrestling boom period. Clearly that did not happen. Poor organisation, poor decsion making and shoddy production make this promotion merely a footnote in wrestling history."

[6.0] "Going back and watching SWCW in the early 1980's. 1983: Tully Blanchard had a great heel run as SWCW Champion. The Sheephearders, Adrian Street and Adrian Adonis were excellent heels, they pushed Scott Casey as their big baby face, but he lacked the mic skills and storylines in comparison to other territory champions. Cool seeing a young Rock n' Roll Express and Al Perez."

[2.0] "1982: Wow this was the geriatric territory. They were pushing older stars in their 50's like Wilber Snyder, Bobo Brazil & Dick The Bruiser. It was very slow paced, very similar to WWF at the time. 1983: They started pushing young baby faces like Spike Huber and Steve Regal. They made a huge deal how fast Regal moved in the ring, but the truth is he just moved faster than the relics he was wrestling."

[9.0] "ever since I started watching AEW in the summer of '22 to the end of that year. in that small time period I was hooked and was in store for great matches and great feud's in the likes of Punk v. Mox, BCC V. JAS, and more. but I stopped watching the show cause I lost access to TBS and TNT. I came to watching AEW in late 2023 a month or 2 before the first C2. (that and the second C2 were masterclasses). even though the majority of the matches they put on are on my top favorite matches of all time, (looking at you Ospreay, Kyle, and Takeshita) the stories are lacking, I really want to see AEW succeed and return to they're former glory given all the great and awesome talent they have, but until they can get they're booking team and tony on the right track, AEW is gonna be my go to company if I want to watch banger matches. edit: coming off of revolution I think AEW is starting to pick up some steam, that MJF/Adam match was a great one, a lot of story put in the match itself and the previous promos they both put on prior their meeting in the ring were masterclasses, and don't get me started on the feuds, marks say that AEW lacks long term storytelling but just look at Kyle/Will, back in 2020-2024 they were in the same stable and close friends, now Kyle has turned on him and aligned himself with will's former manager, the Toni/May story is splendid, from bring Toni's number one fan to taking everything away from her to Toni beating Mariah for the title at grand slam, I haven't their match at revolution yet so I don't how that turned out, my point is, AEW for some odd reason has people hating on them as if they're a threat to their country and the main focus of the hate is towards the storytelling. i get that the main title picture is in a really weird place but AEW has more stories to offer than the "death riders". I feel like the company can only go up from this point starting on. lets hope for it, cheers and thank you for giving me your time to read all this."

[7.0] "1982: Enjoyable watching younger versions of Bret Hart, Davey Boy Smith & Dynamite Kid. Focused on smaller more athletic wrestlers. I didn't like the yellow card, red card stipulations, this isn't soccer. Wrestler of the Year: Dynamite Kidd. 1983: Wow a ladder match in 1983, between Bret Hart and Bad News Allen. Stampede was ahead of its time. Bret & Davey Boy Smith were so young. My first time getting to watch Bruce and Keith Hart wrestle. Wrestler of the Year: Bret Hart"

[8.0] "Going through old footage from the PNW in the early 1980's. Here is a yearly summary. 1982: Looks like it was filmed in a dark basement of a fraternity house, but the action was much better than some of the more prominent promotions. They tried so hard to push Brett Sawyer, for which as bad of a heel promo guy that his brother Buzz was, he is equally as bad as a baby face promo. Rip Oliver was a much more interesting character. Wrestler of the Year: Rip Oliver. 1983: Loved the Buddy Rose face turn storyline against Oliver's Clan. Literally the audience poured into the ring to celebrate the turn. Billy Jack Haynes was the total package, and one of the better baby faces in 1983 territory wrestling. Cool seeing a young Curt Hennig work as a face. The wrestling itself was similar to the speed of the CWA & WCCW, as opposed to the slow methodical matches in WWF, AWA, MACW & GCW. Wrestler of the Year: Buddy Rose"

[4.0] "The television tapings may be the smallest crowds to date. No enthusiasm. The larger shows look like a high school gymnasium. Very few solid performers outside of Ronnie Garvin, Crusher Broomfield and Randy Savage. 1982 Wrestler of the Year: Ronnie Garvin. There was an increase in the quality of the product from 1982 to 1983, by bringing in Terry Taylor and Eddie Gilbert to help bolster the roster. Randy Savage was on another level. 1983 Wrestler of the Year: Randy Savage."

[6.0] "Wish I could get my hands on more film from this territory. Strange seeing Hayes & Gordy feuding in early '82. 1983: The footage I've watched is low quality, but you can feel the crowd's excitement for the product. The big feud was between the Amstrongs and the Midnight Express. This was a different incarnation of the Express, which included Randy Rose, Ron Starr, and Wayne Ferris, in addition to Norvell Austin and Denis Condrey. Bob Armstrong smoking cigarettes while doing promos is wild. Austin Idol's work in both SECW and CWA in 1983 was fantastic. Wrestler of the Year: Austin Idol."

[9.0] "Really enjoying watching the CWA in the 1980's. Here is a yearly review. 1982: Instantly hooked with the Midnight Express. Good fued between Lawler & Dutch Mantel. Jimmy Hart was a natural, just so good. Young Morton, Gibson, Eaton & Lane. Pushing the Fabulous Ones and making vignettes you can tell they were appealing to a young audience. Wrestler of the Year: The Midnight Express 1983: This territory was ahead of most other territories in terms of using vignettes, and relying on storylines. In ring they used smaller athletic wrestlers who utilized their speed. The Fabulous Ones and Lawler were so over. Lawler was money on the mic. Year begins with Koko Ware turning face against the First Family, even posing as Stagger Lee similar to JYD in Mid-South. The Fabulous Ones win a feud with the Sheephearders forcing them to leave the territory, but then the Moondogs arrive to ignite a feud with them over the Southern Tag Titles. So cool seeing the origins of the Rock n' Roll Express. Unlike other territories that did not televise key matches that took place at house shows, CWA does a great job of showing footage of the important matches in order to keep the continuity of their storylines. Wrestler of the Year: Stan Lane"

[8.0] "Reviewing the CWF from the 1980's. 1982: After watching other promotions, the CWF focused more on speed and athleticism in the ring. You could see an attempt with storytelling, especially in the case of big baby face Dusty Rhodes. Interesting seeing David Von Erich work as a heel. Wrestler of the Year Dusty Rhodes 1983: We begin with Dusty Rhodes on a suspension, and he poses as the Midnight Rider, even winning titles, but having to relinquish them in order to conceal his identity. Great storytelling in this territory, Dusty was ahead of his time. The wrestling was grittier than some other promotions of the era. Gordon Solie was a consummate professional, Buddy Colt not so good on color commentary, but the role of Barbara Clary was another example of how CWF was a trailblazing promotion. Wrestler of the Year: Barry Windham"

[7.0] "Going back and watching footage from the 1980s, and here is a yearly review. 1982: Technical wrestling, almost felt like this and Mid-Atlantic were the same company, similar to a Raw & Smackdown. Wrestler of the Year: Tommy Rich. 1983: Unlike WCCW, there are just so many squash matches. All the mid-carders and main eventers just smashing jobbers. In comparison to WCCW, CWA & MSW, the storytelling was lacking, which is a shame considering the tremendous roster of talent. In the summer things improved with the introduction of new talent and putting wrestlers into feuds, and showing those matches on television. Buzz Sawyer awful promo guy, Larry Zabysko and Paul Ellering were excellent talkers. Wrestler of the Year: Larry Zabysko"

[9.0] "I love this promotion. They mostly do Sunday afternoon shows which I love to bring my kid to. The shows are family friendly but aren't necessarily for kids. They book a lot of the best talent in the Midwest. Great social media presence and the promoter is visible and easy to chat with. My only complaints is I wish they had tag titles and I wish their shows were a little longer so they could have occasional 15+ minute matches."

[7.0] "Love the shows great setup additional merchandise and food at the stall would make this a 10 as the storey telling is done in the ring where it belongs"

[7.0] "I enjoyed watching AWA in the late 80's as a kid, but now watching footage from their strong run in the early 1980s. Here is a yearly summary. 1974-1981: Liked seeing Dusty Rhodes as a heel, Larry Henning was a big dude. Bobby Heenan was fabulous. Liked the Ray Stevens face turn, and Jesse Ventura's heel work. 1982: Nick Bockwinkel was an outstanding showman. Not much storytelling. They pushed the High Flyers, and a young Hulk Hogan. Wrestler of the Year Nick Bockwinkel 1983: The crowds were popping for these wrestlers. Bobby Heenan, Jesse Ventura & Nick Bockwinkel were so entertaining. Jerry Blackwell was the unsung hero of the heel locker room. Aside from Hulk Hogan, they lacked baby face stars. Baron Von Rashke and Mad Dog Vuchon were the next tier faces. The fact that Vern Gagne booked himself in the main event of a PPV was laughable. Son Greg and Jim Brunzell were heavily pushed, but underwhelming compared to other fun baby face tag teams in other promotions at the time. Interesting seeing Wendy Richter work as a heel. Wrestler of the Year: Jesse Ventura"

[9.0] "I appreciate the history of the promotion, and how they care about their heritage, and the lineage of the industry. Going back and now watching footage of before I began watching in the mid-80's. Here is a yearly review. 1974-1981: If you like bear hugs, chinlocks, wrist locks & long collar & elbow tieups this is the wrestling for you. Bruno Sammartino & Dusty Rhodes were huge baby faces. Billy Graham was outstanding: great body, great charisma, great at selling, great showman. Bob Backlund so overrated. 1982: Not a whole lot of storytelling, just baby faces vs. heels. Fun to watch Rocky Johnson, Tony Atlas, Jimmy Snuka. Adding Gorilla Monsoon to commentary was a great addition. Wrestler of the Year: Jimmy Snuka 1983: Definitely larger audience than other promotions, but where are the promos & storylines? Power move, power move, rest hold routine over and over. I do appreciate the multiple cameras, and Gorilla Monsoon commentary. Great cast of heels: Wild Samoans, John Studd & Don Muraco, but they lacked quality baby faces after Andre and Jimmy Snuka. Bob Backlund was terrible on the mic and in the ring, can't believe they kept the title on him for so long. Rocky Johnson was severely underutilized. Wrestler of the Year: Rocky Johnson"

[8.0] "Loved watching JCP in the mid-late 1980's when I was a kid. Now going back and watching the earlier years. Here is a yearly summary. 1981/1982: Technical wrestling. Story revolved around Sgt. Slaughter as a heel, but finally got good with the arrival of Oliver Humperdink and his stable. Flair & Valentine destroy Piper turning him full face was outstanding. Flair is on a whole other level on promos. Wrestler of the Year: Ric Flair 1983: Way too many jobber matches, storylines were stale, pushed too many old wrestlers like the Briscoes & Dory Funk, should have pushed One Man Gang. Had 3 solid heel stables with Hart, Humperdink & Jones, but failed to write them into interesting storylines. Steamboat & Youngblood were ahead of the curve in the ring. Old timers couldn't keep pace with their speed and athleticism. When they switched to arena shows in the summer they seemed to pump some life into the product, on their march towards Starcade '83. Best storylines were Piper & Valentine, and Race/Orton/Slater vs. Flair. Wrestler of the Year: Ric Flair 1984: "Let me tell you something." Still way too many squash matches on TV. This territory invested its time in too many old timers: Ernie Ladd, the Briscoes, Dory Funk Jr., Angelo Mosca, Wahoo McDaniel, Rufus Jones & Jimmy Valiant. And when it comes time to push younger guys they chose Angelo Mosca Jr. who was God awful, and Brian Adias, who was a lower mid-card guy at best. Wow Summer of 1984, Ric Flair and Tully Blanchard have an angle. I never knew that, but it wasn't significant because Tully barely wrestled the first half of the year, as he was stuck on commentary. Nikita Koloff debuts! He is limited in the ring, but "my Gawd" what a physique and authentic character. They suddenly create a Six-Man Title, but no background, no tournament, not even any belts! Don Kernodle was not a good fit with the Russians, and I was glad they final turned on him. They waste time running an angle with Jimmy Valiant and the Assassin with a "taped fist match." Can't make this stuff up, and Paul Jones was such a let down compared to other great mouthpiece managers in other territories in 1984. Wahoo turns heel, and is absolutely atrocious on the mic. They push the Youngblood brothers, but they were underwhelming compared to other young tag teams in other territories in '84. Similarly they pushed Rufus Jones and Pez Whately, both of whom pale in comparison to JYD, Iceman Parsons and the PYT in other territories. They bring in the Long Riders, who are suddenly the Mid-Atlantic Tag Team champions, after the belts had been deactivated for well over a year. Bass was a believable heel, unlike Dick Slater who weirdly returns from a long absences and goes from the promotions top heel to a baby face, and it doesn't suit him. Towards the end of the year they begin ramping up for Starcade '84, and Dusty Rhodes arrives and is absolute pure entertainment in the ring, on the mic, and in storyline. Rhodes pumped life back into the territory. He was aided by the returns of Ric Flair and Ricky Steamboat. Starcade '84 was not good. Only two matches worth watching, were the Rhodes-Flair main event, and the match of the night, which was Steamboat and Blanchard for the TV title. Wrestler of the Year: Dusty Rhodes"

[9.0] "Going back and watching Mid-South Wrestling. Here is a year-by-year review. 1982: The best storytelling of any promotion. JYD was so over. Ted DiBiase's heel turn was terrific. Orndorff's face turn was great. Skandar Akbar's Stable was a great ensemble of villians. Bob Watts terrible on commentary, makes everything about himself. Wrestler of the Year: Junkyard Dog 1983: We open the year with DiBiase forming the Rat Pack & trying to expose the JYD/Stagger Lee conspiracy. The Rat Pack implodes with Duggan turning face, and DiBiase joining Akbar's Stable. They over push Mr. Wrestling II, and under utilized King Kong Bundy. Magnum TA easily the Rookie of the Year in the NWA. Love the much needed addition of Jim Ross to commentary. Wrestler of the Year: Ted DiBiase 1984: As much as I absolutley loath Bill Watts on commentary, I do appreciate the multiple storylines to follow in his promotion. I didn't realize Volkoff sang the Soviet anthem in Mid-South prior to heading to WWF. The best ensemble of tag team talent of the era with the Midnight Express, Rock n' Roll Express, The Fantastics, and PYT. Hilarious how furious Watts was that JYD headed to WWF, and took shots at him on Mid-South TV & bringing in Master Gee as his Walmartesc replacement. Great collection of talent including Magnum TA, Butch Reed, Buddy Landel, Terry Taylor, Dr. Death, Hercules Hernandez & Adrian Street. Wrestler of the Year: Butch Reed TBC"

[7.0] "Old school, no frills wrestling. A really strong roster of mostly freelancers as well as guys from BJW and other companies. The Six Man title matches are usually a great watch. I would give Tenryu Project an 8/10 but the production quality is by far the worst of any promotion in Japan."

[9.0] "I absolutely loved World Class Championship Wrestling when I was a kid. Here is a yearly review. 1982: The Von Erichs were so over. Used a small roster, seeing a lot of the same wrestlers each week. Best Storyline was the Von Erichs vs. H&H Enterprises. Gary Hart was tremendous. Bundy turning heel to feud with the Von Erichs was great. Wrestler of the Year: David Von Erich 1983: Loved the Von Erich-Freebird Feud, the Freebirds were tremendous at selling to get a pop for the VE. They would interchange wrestler combinations to keep the rivalry fresh. Jimmy Garvin was fantastic, loved his work, his feuds with David Von Erich & Chris Adams, and the angle with Sunshine & Precious. Wrestler of the Year: Jimmy Garvin 1984: The year begins with the Freebird-Von Erich Feud, which takes a turn following the untimely death of David Von Erich. The fallout of David's death includes inserting Mike Von Erich into the feud to replace David, and Mike wasn't as bad as critics make him out to be. He wasn't David, but he wasn't a jobber. He was a solid mid-card worker. It all leads to the stadium show, where Kerry Von Erich wins the NWA World Title. The reign lasts just 18 days. During the summer we see Killer Khan working with the Freebirds, only to later join Devastation Inc. & feud with the Freebirds. Chris Adams and Jimmy Garvin continuing their feud with Adam's now having Stella Mae French to counter Precious. Gino Hernandez was a national treasure. He was one of the best heel performers in any promotion at the time. Jake Roberts has made tremendous strides in the last two years, and his World Class work is his best work yet. The most notable swerve, was Chris Adams turning heel on Kevin Von Erich & joined Gino, Snake & Baby Doll. Wrestler of the Year: Kerry Von Erich TBC"

[7.0] "New Japan Pro Wrestling at the moment seems to be finding it's footing ever since Okada, Ospreay, G.O.D., White all left the promotion within months of each other but that's not saying much in general because the footing seems shaky at the same time. They managed to have a pretty explosive start to 2025 which some good events and acclaimed matches. There's a list of issues NJPW presents at the moment but if you come to see good old fashioned great wrestling than go watch NJPW. I hope they can carry momentum throughout 2025 and not stall like they did through 2024. They seem to be going into a great direction with Goto winning the belt and Kidd becoming their rising star. [***3/4]"

[8.0] "We are 3 months into the year so far and I can confidently say that AEW has had a pretty dang good start to 2025! In terms of wrestling, AEW nails it down to every single digit and if you want amazing professional wrestling on a weekly basis then you have to go watch AEW in general. Storylines are still pretty weak and still turn away the casual wrestling fans. The only highlights for me right now is Storm / May, Swerve / Ricochet, Hangman. The Deathriders storyline is cumbersome and hard to watch at this point and the fact that it's the main event angle really hurts the TV product. PPVs usually range from Okay to Great and they seem to be more focused lately on what they wanna be and how to treat Collision in general. Overall, I thought AEW might have a weaker 2025 but they've proven me wrong. Let's hope they can keep some momentum considering they had a HOT start this month! EDIT: A lot has been happening that has raised the product for me. There has been more of a focus lately and that can be felt on each show. Good matches, interesting stories and an upcoming PPV that will be hard to mess up. It seems like AEW has been slowly been creeping its way back to the glory it once had back in 2019-2022. They still make headscratching decisions that hold them back... [****1/4]"

[8.0] "We are 3 months into 2025 and I can say that WWE has had a hot start to the year that has been good but also has been a bit underwhelming for the high expectations they set via advertising. RAW has been the must-watch show for WWE right now ever since the move to Netflix with constantly good shows and big moments. NXT is decent right now but nothing too hot even with some big debuts and SmackDown has been on a streak of being pretty boring and in general hard to watch. PPVs have been hit or miss too but nothing incredible. The storylines have carried the bulk of WWE programming and have gotten more intense with things like Cena turning Heel, Seth vs. Punk and IYO winning the strap. Overall, Good start to 2025 and I'm excited to see what comes next [****]"

[] "Bodyzoï was the federation who made me rediscover pro wrestling after a break of almost 15 years (was only watching WWE as a kid before). I went with my brother to a show (BZW VI) because his friend bailed and I was stoked from the beginning of the show. Since then I go to as much BZW show as I can. Crazy match-ups with high quality wrestling, great local talents, crowds are always on fire. You can see rising stars and confirmed veterans. They tend to forget they are a Belgian federation which is disappointing for us Belgian fans but hey, I guess France sell better internationally."

[10.0] "Man, I love this company, it has given us some of the greatest matches in independent wrestling history."

[7.0] "Not quite on the level of other Australian Indies, but it is a more than servicable company who can put on some great shows, once they get some more history under their belt, I think the prestige will only rise. Already you have Inidi Hartwell coming back and choosing to perform for them, has to be a sign of them doing things right"

[8.0] "I love Enjoy wrestling. I've never been in a wrestling crowd that is anywhere near as open and welcoming as Enjoy's fanbase is. There is zero tolerance for intolerance. Their opening credit music states: "Wrestling is for Everyone", Enjoy lives up to that goal. They have everything from long term storytelling to comedy wrestling to some of the best technical high-quality matches that you've ever seen. They bring in the best wrestlers from all over the industry there: TNA, MLW, AEW, and TJPW. For being so open and welcoming to newcomers, Enjoy strives to put on a high-quality show with a party or concert vibe that never fails to entertain."

[9.0] "A really great start with banger matches. This needs way more events on a consistent schedule, but good stuff so far."

[8.0] "For the novelty alone, it's fascinating to watch this promotion run a show every Friday night in the tiniest venue you've ever seen. It's a bar with about 8 total seats, and the wrestling is a mix of fun grappling, silly antics, and whatever else they feel like doing. It's true indie spirit for the love of the genre. Also one of the only places you can regularly see Naoki Tanizaki these days."

[] "Great promotion and academy that creates strong wrestlers. Also the only independent company that does live weekly television."

[8.0] "Much more interesting and with much more top talent than other promotions. I rather prefer quality of the today wrestlers than gossip comments of things that happened in the past with some wrestler's conflicting personalities. Judge a promotion for just being assholes is, to say the least, poor judgment. At least they immediately kicked out the guys who were involved in some kind of sexual harassment or scam."

[10.0] "Best matches in Italy and it's not even close. Very loyal fanbase, it's almost like an italian version of PWG"

[] "Biggest and the only one promotion in Ukraine. I hope they'll rise to a new level of quality and create more action in European independent scene. Godspeed, UWA!"

[7.0] "Get rid of HoT, make Evil a monster heel. Stop making Shota Umino a joke just because he ain't ready for WK main event. Stop letting Desperado and Hiromu rot in the junior heavyweight division. Start using viable talents like Shingo Takagi or Sanada."

[10.0] "Straight up best promotion in the world. They screwed Tam but still the best promotion in the world."

[6.0] "This is my Favourite promotion in the world. It is also objectively but not the best most of its shows have rubbish matches. for an indy ths archtyplr bad match good booking promotion cards are so up and own they're more like a jet coaster. some may find there promotion like in aew wwe TNA ect this is mine bBut based on outpu i cannot give it above 6/10"

[8.0] "Good promotion but very much of its own time. The last of it generation of shoot style promotions outlasted both RINGS and UWFi both it lasted longer RINGS Died in 2000 and UWFi in 1997 but in Total Years active. i did get ot few of there events live the put on some good work but the Rise of MMA and then decline of MMA killed Shootstyle sadly for at almost a decade this was the last of first generation of Shoot style promotions. Going back to the First UWF founding between 1983 and 1993 great promotion. 8/10"

[8.0] "Tokyo Joshi Pro-Wrestling is one of the best professional wrestling promotions in the world right now and as of 2025...THE BEST PROFESSIONAL WRESTLING Promotion in the world to me! TJPW is everything that I love and want from pro-wrestling at the moment. Good wrestling, great shows, good comedy, great characters. This is everything a promotion needs. Just a bucket of fun for any hardcore wrestling fans wanting something different. TJPW is just so much fun and I hope more hardcore fans gravitate to the product. [****1/4]"

[6.0] "Game Changer Wrestling managed to have one of the most embarrassing openings I've seen into a wrestling year I have seen in a WHILE. I mean they absolutely blew it. The People vs. GCW was one of their biggest shows and it managed to kill all momentum GCW had been building up. They seemed to have a steady pace at one point and be one of the hottest independent promotions right now with their deathmatches and their mass amount of talent that comes through. They seem to get into controversy after controversy and they keep shooting themselves in the foot. I hope things do go better but as of right now GCW has been pretty weak even with some decent shows they put on recently. [***]"

[6.0] "I might have misjudged from what I've seen. TNA has had a somewhat decent start to 2025 thanks in part of that partnership with WWE and the NXT brand as a whole. It seems to be doing wonders for TNA and manages to expose itself to new audiences from WWE in general. They have some of the hottest acts in pro wrestling right now and some big stars in their roster. They seem to be building itself back up as a promotion since that decline they had from 2013-2022. I hope things go good for TNA and they manage to turn things around! They do need to work on their weekly shows having more of a big feeling though. [***1/4]"

[5.0] "Why do people like seeing ROH right now in rose-colored glasses? If you take it off, Ring of Honor as of 2025 is the WORST professional wrestling promotion in the United States I'd say at the moment that's "MAJOR LEAGUE". What can I say? Lazy booking, matches, shows! Hell! They've started doing match replays during the show to fill air-time and they expect to be picked up by a major TV network because Chris Jericho is the head of ROH. It makes ROH look stupid and Tony Khan look stupid. The promotion is pretty much dead in the water and the only way to save ROH right now is to just close it or sell it off. Their have been some improvement within the last month and at least it's watchable but can they even sustain it? [**3/4]"

[6.0] "Dream Star Fighting MARIGOLD at one point was the talk of the professional wrestling world! A new promotion by STARDOM founder, Rossy Ogawa and big stars joining the mix! It had a lot of buzz and it seemed like it was going to be the next big thing and might legit takeover STARDOM as the #1 Joshi Promotion in Japan. Everything was set in stone. May-June '24 were great! Good matches, steady pacing and very linear and clean shows. MARIGOLD had new eyes and it seemed like it was time for the Joshi world to change...Fast forward and it's the end of 2024. MARIGOLD for it's first year was fine. The last three months were nothing to watch. The promotion seemed directionless for a bit and many went back to watching STARDOM. MARIGOLD has seemed to have issues as well into 2025 and seems heading into a direction where nobody really cares to watch because we have STARDOM! [***1/4]"

[10.0] "it's a very good Polish wrestling promotion, nice competitors, let's hope that one day they will step up and stand out from the others, the Polish Punisher is probably in it and I think I like him the most, but that's just such a distinction, of course it's not as good as the best ones, but it's nice to see the Polish accent"

[9.0] "A near perfect product from beginning to end. It should have gone longer with the MMA and Pro-Wrestling divisions going separate ways but it still gave us incredible memories."

[10.0] "Currently, AEW is the best wrestling company in the world. There are mistakes that any company can make, but they are not that serious. On social networks there is a lot of hate against the company and without justification, but the company at the in-ring level is exceptional, especially on PPV. My congratulations to Tony Khan."

[5.0] "Starting to get a few things in order, but it's so clear now that they weren't prepared for the exit of Okada nor Naito's steep decline. They have failed in anointing the next capital-g Guy like they did with Tanahashi and Okada and they're suffering now for it. Admittedly, I'm one of those 2016-2020 New Japan fans, so I might have a soft spot for Goto, but I honestly think making him champ at New Beginning would be the start of a turnaround for New Japan. Goto is one of the last remaining guys of his generation who could actually win the title, then him dropping it to one of the young guns could start New Japan on a hot streak again."

[] "One of the best unless it's the best wrestling company right now everything In this company is very good"

[10.0] "There's something that needs to be said about the excitement of seeing a new promotion being founded and watching almost an entire roster of new talent being developed in real time. For some reason people seem to be too hard on Marigold, ignoring the fact that this is a 10-month-old promotion and one of its biggest attractions is rookies. The fact that it has quickly become the second biggest joshi promotion in terms of attendance and number of shows speaks volumes about the work being done. I can assure you that neither Stardom nor TJPW were bigger or better than Marigold when they were 10 months old."

[10.0] "Industry standard company in terms of in work rate during the best period in wrestling history for work rate."

[] "[9.0] I love everything about the WWE, The Matches, the promos, the segments, the moments, And all of this has been better since Triple H has been put in charge"

[5.0] "When it's hot it's hot, when it's not it's bad. And right now it's bad. If I were to rate it in a vacuum right at this moment with the destruction of Papa H's NXT, the bad booking that means nothing over the long term, and the waste of the best roster ever assembled, i am giving it a 5. The great matches are great, but when your booking is based around churning out content, the good matches are unfortunately drowned out by the cacophony of recaps, cookie cutter Raws, and reminders of what hashtags to use. Given the history and the unbelievable success as a brand and the amount of joy it previously brought me, it easily gets a 5. I hope it turns around soon. Edit 3/2023: much much improved. Definitely upped their game and the right players are getting TV time and they're developing a great new batch of talent. Stories make more sense and have a better build. I'm really happy to see stuff is turning around. 7 easy. Edit 1/2024 WWE will wind up the global property that McMahon was shooting for. HHH is such a great replacement for Vince. I don't love that they are just going to go back to amassing all the talent. Their pockets are deeper than anyone's and will continue to be the preferred destination for everyone that gets into the biz. Edit 2025.01.10: still the hottest brand. But we're exactly back to the death of the territories where WWE just gobbles up all the talent. They go to WWE score a big win and then fall into the abyss of massive talent and flounder without direction. Edit 3/2/2025: the jingoistic bullshit needs to end. Don't like people booing the anthem? Don't play the shitty song and stop supporting a guy that wants to isolate us from the world outside of NK and Russia. Don't complain about the stupid thing you are doing and certainly don't blame the fans."

[8.0] "[8.4] One of the things a promotion can do that I respect the most is have a strong, unwavering vision for what it wants to be and what it wants wrestling to be, and I think UWFi did that harder than anyone. The extremely stripped back and grounded presentation coupled with that philosophy of 'make it look real, but still exciting' creates something extremely fun to watch and completely enthralling. They did kind of lose that and fall into some more gimmicky stuff like the NJPW invasion in their later years, but for the most part the presentation stayed strong. Probably the most well-known shoot style promotion of the era, and also one of the most influential promotions there's ever been."

[9.0] "[8.6] Still for my money the best promotion in the world at its scale. This is extra shocking considering that it's only been around for a little over 6 years. Has some of the most prestigious belts in wrestling right now, a legitimate claim to the most stacked roster in history, fantastic weekly shows, and an amazing track record regarding TV specials and PPVs. There are a few issues though, namely that I feel like it falls into the pitfalls of in some ways lacking a distinct identity and that it feels like Tony Khan has issues with saying no to people, particularly when those people are AEW Originals. However, while the lows are low, the highs are high enough to drown it out, and when AEW hits its stride, it's downright magical. [Previously 8.4 on 4/6/24]"

[9.0] "Feels like the last hope for big feel indy wrestling in a post AEW landscape. Has done a good job filling the void left by PWG and other similar type companies."

[0.0] "A promotion that has no value for human life shouldnt exist, and, thanks god, they are not really existing.Show with peoples that cant be booked elsewhere cause they were exposed. If you want to close yourself to the world and others peoples because of your bigotry, then I guess you just should close the door of your company. Also, even in the ring, its always the same 4 guys around doing the same matches, there is really nothing to see and really no hope for this one. It's sure more of a disaster for wrestling that this kind of company exist."

[10.0] "A Spiritual Successor to all the great fallen Indy promotions. PWG, CHIKARA, Evolve, 3-2-1 Battle, and ROH before Tony Kahn bought it (The biggest proof that AEW's success in spite of him, not because of him). DPW knows what it is, embraces it to the fullest and goes nuts with it. DPW I was born of passion, not money and its talent first approach to things is extremely refreshing. You can tell the wrestlers love it here cause I don't think anyone has phoned it in for going on two years now. I'm fully on the DPW hype train and can't wait to see the rest of this beautiful promotion's journey."

[0.0] "A truly rubbish promotion, it is one of those family friendly promotions, which I don't generally care for (not that I am against wrestling for a wide audience but its one of those panto type promotions). It books no one of note and has no charm like other family focused professional wrestling. So yeah, awful stuff that paraides itself as anti-woke pro wrestling, so there is no reason to check this one out at all, even if they did used to use somewhat known names, but yeah, just do not watch LDN Wrestling."

[] "Racist promoter, who publicly posted on the LDN social medias today that they, and I quote, "will not be booking anybody that is woke or has those values". It's totally fine to be critical about "wokeness" or and do not have these values. But to don't book somebody because of that is wrong in so many ways (same as the other way around, if you don't book somebody because he "isn't woke" ... of course as long as he is no extremist or bad human being) Besides from that, nothing special about their shows. Same champion most of the time ..."

[] "I love Cash Is King! Joseline is the best women's wrestler in AIW HISTORY! I LOVE WHEN John Thorne brings in Joshi wrestlers and books Joseline to BEAT THEM! Why is Kayden Reinke (KVR216) on here at 5:23 am on a SATURDAY MORNING trying to shit talk Michael Clark?"

[] "This company saved the wrestling industry that company are literally for 6 years the best wrestling company of the year"

[9.0] "Competed against stronger organizations but had a lot of good stuff too and probably hasn't found the audience it deserves."

[9.0] "I choose a 9 because there's always place for improvement, but Tyris Wrestling has showed that at 2025 they are the best promotion in Spain. Their usual roster is a combination of Tyris members, with the best wrestlers in the Spanish scene coming from all other promotions in the country, and adding the ocasional visit of international stars from different countries, even including some WWE star like Axiom. Their shows always offer good quality matches, with a little bit of everything and the atmosphere at their "arena" is special and makes their shows feel exciting. Probably what makes them the best promotion in Spain, is their booking, with interesting storilnes, long term narratives, innovative matches and surprises here and there that make shows unpredictable. Fortunately for Valencian people, the best wrestling in Spain can be seen at their city."

[5.0] "Funny, entertaining comedic. Poor wrestling, but thats not the point. As a wrestling promotion 2/10. But to have laughs, 10/10. Its more like a youtube channel."

[7.0] "A very good indie promotion, with a clear sense of production and quality. WWE type feel, with a " sport-entertainment" vibe, which is not a bad thing. They have got some big names as well such as Kenny Omega and Butch. Definitely the best promotion in South East Asia and one I continuously watch through youtube. There in-ring skills are mixed (top guys are decent but newcomers are not), promos need work which is preventing them from receiving a higher score."

[4.0] "I have attended a few shows and have to give it a 4/10. Shows are fun, talent is good and they have some guys like VK and Nyc who have a lot of potential, but booking is poor with no logical or canon, and too much nonsensical aspects like comedy shows or music weaved in that don't fit. Company hasn't seemed to grow at all in 3 years also"

[7.0] "A decent promotion which had some good (mainly imported) talent but compared to the likes of FMW, IWA-Japan couldn't match their talent, their scope or their spectacle. Consistency was the main issue for IWA-Japan, it could be really good and it could be absolutely terrible."

[9.0] "The greatest hardcore promotion of all time. A roster full of legends like Hayabusa, Tanaka, Onita, Megumi Kudo, Funk and Foley. A archive of unbelievable matches. The spectacle, emotion and excitement that FMW could offer, typically in matches with barbed wire and explosions, is unmatched in the history of pro-wrestling. It's also a rare Japanese promotion that had a women's division and a men's division, which adds to the variety on offer. I typically don't like deathmatches but I love what FMW did, good wrestling and storytelling in the confines of a deathmatch, something some modern wrestlers could learn from, and FMW very rarely took things too far for my taste. Being fair, FMW was inconsistent, the smaller shows weren't always great and some of the matches were very standard, never bad but just nothing exciting, Hayabusa as a wrestler encapsulates FMW, sometimes exceptional, other times he'd deliver standard Japanese style matches. Ultimately, FMW was a very special promotion that influenced the entire world of pro wrestling, ECW and by extension WWF and WCW took major inspiration from FMW and IWA-Japan."

[] "There are many styles of pro wrestling, the two most hated would be the death match / backyard style and that of the WWE. It has been this way since at least 2008 however prior to this before the advent of backyard wrestling, WWF was considered by many to be a sub par wrestling promotion ashuing storied fights for storied conversations (promos). Has a reputation for wasting non American talent and for using racism in its televised soap opera storylines and held back woman's wrestling for decades insisting it's only place was as a 'soft core tintalising extra' for young men. Has dominated the professional wrestling scene through unethical business practices and has changed to American perception of what professional wrestling is to suit the style of the WWEs brand of sports entertainment which has lead to deminishing interest in the independent style of professional wrestling that traditionally created the 'supetstars' the WWE portrayed on its sports entertainment programming which lead to the WWE needing to rely heavily on in house produced talent and former mid level sports stars to full the roles it portrays on television which has lead to a systemic decline in professional wrestling quality within the WWE and a distinct lack of opportunity to tell stories through fights instead placing emphasis on soap opera drama to add levity to the matches. With this decline in professional wrestling attributes within WWE programming has come the rise in popularity for the WWE and a rise in profitability and global awareness and global viewership for the WWE and its sports entertainers. WWE is not only unequivocally the most successfully sports entertainment brand in the world it is seen as the largest wrestling promotion as they routinely display low level sequential wrestling matches that run in sync with the stories told through soap opera segments and promos, this wrestling is of an extremely basic and child friendly manor so that it can be enjoyed casually by the broadest audience without the viewer needing to provide more than a cursory amount of attention. It is this style of wrestling the causes WWE to receive much negative online interactions. And it is WWEs style of production and grandure that seemingly motivates it's supporters to negatively interact with wrestling through the IWC. Both these later comments refer to the 'team nature' marketing and relationship with it's fan base of the WWE in 2025 which has had the effect of bringing about a tribalistic rivalry like between sporting teams in order to earn profit and market dominance and this has dominated the wrestling world since it's inception."

[7.0] "As a guy who watched almost everything this promotion did at least to this point. I can say that I see a bright future for them, and as a Saudi guy I'm so proud of them, I can't lie here but everything will Develop in the future. Let's go SPW!"

[9.0] "Saudi Pro Wrestling has truly revolutionized the industry. Their storytelling keeps fans on the edge of their seats, weaving intricate plots that resonate with audiences of all ages. The roster is packed with talented wrestlers who not only showcase incredible athleticism but also bring charisma and passion to the ring. Each event is a spectacle, blending high-octane action with top-tier production value. They've managed to create unforgettable moments that leave fans talking long after the shows end. Whether it's dramatic rivalries, jaw-dropping matches, or surprising twists, Saudi Pro Wrestling consistently delivers entertainment at its finest. It's no wonder they're quickly becoming a global phenomenon in the world of professional wrestling."

[] "Im not gonna over exaggerate at all but THIS IS HOW WRESTLING SHOULD BE IN THE MENA REGION, The potential is INSANELY HIGH and the wrestlers themselves improve by the day, i like how they don't bring random wrestlers for the sake of bringing them, and the homegrown talent are really good."

[8.0] "As a Saudi, I couldn't be prouder of these young ambitious men who carved their own path into the squared circle. Watching them start with low-budget shows, recording matches on phone cameras in a small gym hall with only a handful of gym members as their audience during the pandemic, and without even a proper wrestling ring which makes their journey all the more inspiring. Now, they're selling out venues across Saudi Arabia and booking tremendous names like Samuray Del Sol (FKA Kalisto), Marty Scrull, Austin Aries, and more. While there's still room for production improvements, that doesn't take away from their incredible progress. I'm genuinely excited to see what's next for them, and I have no doubt they'll go far in this business!"

[3.0] "I don't really think there's any sugarcoating it, there's at most 3 credible main event players in the whole company and 1 promising young rookie, attendances keep dwindling and they just pretend it isn't happening. Utami hasn't reached nearly the in ring quality of her peak in Stardom and the quality of the undercard is just awful on most shows."

[6.0] "APC rents the same small room for two decades with no intention of evolving their production values. Locking themselves in the crappy "Studio Jenny" venue would have killed this promotion a decade ago, had they not the best modern wrestling school to save them (with trainees the likes of Aigle Blanc, A-Buck, Rick Salem, Kuro, etc) alongside a partnership with CMLL among others. In short : a great school, and crappy production around their shows."

[6.0] "Vince NT has put a serious dent on the structure's image and reputation, which forces TPW to work a serious effort to maintain a good image. The most notorious TPW trainee, Amale, seems to have survived and thrived there, which can be an indicator of the structure's seriousness despite the Vince NT problem. White Storm is a former WS trainee with a strong style inclination that shows in their style, training and students. A welcome addition to the business, especially in southern France where a promotion of that caliber was sorely lacking at the time."

[6.0] "The biggest promotion in northeastern France, LNC is composed of former Wrestling Stars members David Michel and Scott Rider, both of which have learned the utmost important aspects of the business that are ring psychology and crowd work. Their development progresses are slow, as expectable from former WS workers not used to open bookings, but their shows seem solid overall. Their sportive and legit approach to pro wrestling honors them, yet the family-oriented side of the product balances the product's image. Despite all this, LNC is a solid promotion for northeastern French towns (especially Lorraine and Alsace) who would desire to book pro wrestling shows. They just need to drop the shady fairground and local fair events and aim a little higher, probably purchase a stage, then start touring in progressively larger circles around their home base."

[4.0] "One of the too many promotions which would never have seen the light of day if there was money in the European circuit besides being a promoter or trainer. Rafael Belmont isn't a bad worker by any metrics, but another of all these wrestlers that want to make a living out of the business. Keep in mind while attending their shows or, maybe, if you live around there and hope to enter the business."

[6.0] "another promotion that shouldn't be, yet is because of the inability to make money in the European circuit unless you're a promoter / school owner. They're not bad at what they do, it's just regrettable that they need to be on their own to make it. However, on the bright side : the promotion hires national talent and offers quality wrestling on a brand new high-quality ring. Let's hope the product starts to offer some more on the scenic aspect of the sport."

[7.0] ""La Bagarre" (litterally "The Brawl" in French) delivers solid brawling, heavy action on a product that looks modern, clean and polished. Don't get me wrong : the product is good. And the booking seems solid for the few shows they've put. La Bagarre can truly become a promotion of its own."

[8.0] "Definitely one of the best promotions going right now, but an all-timer? No, definitely not. It still has a long way to go to prove itself to me. These are very well worked, booked and promoted house shows basically, so for it to be an all-timer promotion it's going to have to take that next step up."

[0.0] "Imagine you had a device that could turn a human being into a wrestling promotion. If you were to stick Andrew Tate into that device, PPP Tokyo is what would be the result of that, their most known wrestler groomed a 16 year old fan, the women in the promotion are treated as nothing more then sex objects, they decide to play club music while the match is going on which is super annoying and none of the wrestlers actually try in this promotion, so your matches consistent of either really bad comedy or are the most bland, basic and bog standard stuff that you could watch at a show at your local gym. Oh by the way, it's funded by the porn industry in japan, so in short, don't give a single cent to this promotion and literally just choose any other company to watch, you won't be missing out on anything."

[6.0] "TNA from 2005-2012 was a great alternative. Yes I'm including most of the Hogan/Bischoff era because a lot of what was happening in the ring was still great. It's the storylines that were truly awful. Since then it has been very hit or miss and the fans bending the knee because WWE is now involved have selective bias for sure."

[7.0] "This is a go to comfort watch. Not just for wrestling, but anything in general. It's so much fun and so simple, and I mean simple in the best possible way. Every episode is entertaining in some capacity and there were a lot of stars who came through. Regardless of my opinion on Jim Cornette overall (it's not high), the way he presented and ran this promotion should be commended. He gave a particular demographic what they wanted. Even by the early 90's wrestling was turning a corner with its stories but SMW kept it simple. A lot of matches aren't going to blow you away but they weren't meant to."

[6.0] "AEW's first years are simply fantastic, now nothing is bad (except the Tag Team division, by Jeff Jarrett), quite the opposite, it's fine but not as well as before. But there are some problems, but the most obvious to me is the following, AEW occupies Wrestlers de ROH, occupies his champions, his Wrestlers and even his shows. But what does Roh get? Exact nothing. AEW extracts everything from Roh making it poor in quality and consumption. Although to be honest this is ROH's problem, not AEW. But from there another problem comes out, the overpopulation of the roster, to put it in simple words, there is too much talent in AEW, and obvious you cannot have everyone working at the same time, and that is why Wrestlers are wasted. This is easy to solve but difficult to perform. Now AEW's most serious problem is Tony Khan, Tony has proven to be a child; that makes children's decisions; That makes children's tantrums, really, I can't appreciate Tony because he doesn't know how to be a fair boss, every Wrestler is his own Booker. This is not lost, it can still be lifted."

[8.0] "ECW was very good, with good matches, stories and wrestlers. ECW's appeal was very attractive. The Extreme Matches was a little seen in the USA (because in Japan this idea was already used from before) and if they knew how to bring this idea to execution. Although the last years of the ECW are the most remembered because there they had the best roster in its history. The right time lasted, it fell in bankruptcy at its best time in content but in the worst economically. Extremely legendary all the legacy of the ECW."