OZ Academy

[9.0] "Probably the best cross section of the joshi scene in the 2020's. STARDOM, Marigold, and TJPW have set rosters, and of the other dozen joshi promotions that use mostly independent talent, OZ is the best. You always get a hardcore garbage brawl with Ozaki-gun, you get the babyface fire of K4, the comedy of a Hanazono, and an undercard with top talent like Rina Yamashita and Maika Ozaki and Ram. Always a lot to enjoy at OZ."

[10.0] "Police - The only male member of OZ Academy, Police is a former member of the OZ Academy Executive Office. But in early 2007 it seems he abruptly left and eventually aligned with Mayumi Ozaki, and now seconds her in matches. He usually finds ways to interfere on Ozakis behalf, including attacking other wrestlers, providing Ozaki with weapons, and acting very heelish. Personal-wise, almost nothing is known about him."

[6.0] "OZ Academy is a company whose product ranges from absolutely amazing matches to utterly unbelievable junk: it's pretty obvious Mayumi Ozaki has a limited budget available and she focus on big matches and has to sacrifice pretty much everything else to it. Problem is these days the old veterans that once carried the midcard are either semi-retired or in very rough shape and the big-name freelancers are being syphoned to the land of guranteed contracts (Hikaru Shida, Syuri etc) and it seems the company is really struggling to adapt."

[7.0] "Great joshi promotion. With such limited roster, budget and not many shows this year they manage to keep going. They definitely have an unique style - both wrestling and visual presentation. Most of their shows are rather dark themed and their matches are pretty much without any rules. Lots of shenanigans and brutal action. Before pandemics started this company was in much better shape. Nowadays it still goes on, but they are far away their glory days."

[8.0] "With a limited roster and making good use of a mix of both freelance talent and talent associated with other promotions, OZ Academy pretty much delivers troughout the card in its shows. This promotion is mostly focused on in-ring performance, with most character work being built in post-match promos or backstage interviews. The only drawbacks would be language barrier and accessibility of the product."