Latest Comments

[8.0] "I have been a big fan of the presentation and style of wrestling PRODUCE provides. They are pulling together a great roster of indy talent to feature, shows have been well paced. My biggest gripe is the commentary is often very lacking, but th​at is also one of my only gripes. Very interested to see where this promotion goes, but my early impression is this is a good place for some very good graps."

[6.0] "Let me be clear, I did give them a chance. I was aware of AEW as soon as they announced Double or Nothing 2019, and that was one hell of a PPV. At long last we found a competitor/alternative for WWE since 2001. Fast forward to 2026 - yes, I knew this would happen. I still hear people saying that AEW is the best promotion in North America, that they have the best matches and wrestlers, and that their product is high quality. No, respectfully, but no. I'd like to differ with total honesty. Since 2022 I've noticed cracks and issues within their organization and the more I looked and investigated it the more I realized that they have a lot to account for, and I haven't seen any solution to the matter - the biggest of which involves their identity. Yes, identity - NJPW has strong style because they believe in having legit and real matches, AJPW (and by extension, NOAH) have King's Road because they believe in long-term story telling and a patient build up that explodes with a cathartic climax. This is not the case with AEW, who are suffering the same fate as Ring of Honor and any other indie promotion out there - and that is that they have no distinctive style of wrestling that separates them from the rest of the promotions; they are the same as everyone else, but on a larger financial scale. Their matches are literally thrown in and are either hardcore, silly or wannabe Puro Lite, and unfortunately also overrated. If I were less merciful than I am today I would say they are, regrettably, slop, too... which some of their matches are, 60 to 75% of the time. So how do they solve this issue? They need a style of wrestling that combines realism (grappling, submission moves and real-life aspects/personas from the wrestlers), dramatic spots (that not only make sense regarding the workers of the match, but also the rivalry/story behind that specific moment, take for example the Tiger Suplex on 03/01/03, it makes sense because Kobashi drove Misawa to limits unknown to himself, and knowing that the former could win, he needed to step things up and stop him, so he suplexed him from the ramp to the floor), and an infectious wrestling idea that drives the wrestlers insane: Being Elite, finding perfection in their own way but also being at the tip of the parabola and never going to the other side, meaning that the need for a gimmick is not necessary and they would drive each other nuts as the time limit for a title match is drawing its end. And while Tony Khan's relationship with his wrestlers is better than Vince McMahon's (and the rest of WWE), he needs to understand that hardcore matches usually involve flirting with death, and while it sounds cool, it really means that they are seconds away from tragedy. Therefore, they need to get rid of it. Not to mention, the roster. I like some of the wrestlers, but I feel that the locker room is bloated and it needs to thin out. And they also need to get rid of Collision, as I find it unnecessary and it reminds me of WCW Thunder. This is me scraping the iceberg, but you can see the issues that stem from this promotion, and I hope that Tony Khan realizes this and works on it right away. Not for immediate solutions but for those that would help the promotion in the long run. 6/10 is my score for AEW."

[4.0] "I've watched a lot of Dragon Gate over the past few years; it's a strong promotion that showcases a lot of talent, but I feel most people overhype the match quality and the overall match layout. For example, people highlight the speed and intensity of the matches, but I just feel that there isn't enough variety for my taste. I find a similar wrestling layout, but better matches overall in Mexico, specifically CMLL. Speaking of which, I see that very few of their wrestlers get to showcase their talents in other companies; I feel that shows Dragon Gate doesn't trust its wrestlers. I respect anyone who watches this and truly hope they enjoy it, but I just don't see the overall appeal."

[8.0] "STARDOM has all the ingredients to become one of the great companies ever but it fails to reach the mark nowadays. STARDOM has some of the best joshi wrestlers in the world but in the past year has made some incredibly weird creative decisions. Hanan and STARS is the most recent idea that had a lot of discourse, it almost felt like they were brushing Queen's Quest and its history under a rug. The World Of Stardom belt has been shuffled around since Saya Kamitani lost it in her hi6.87storic reign and the booking of your most popular wrestler in Saya Kamitani has been poor from a narrative sense. Like said before, STARDOM has all the ingredients to become great, Taro Okada just needs to place all the pieces. But, STARDOM remains my favorite company to tune in on, and hope it stays that way for a long time."

[] "All Eli​te Wrestling is a blessing for our passion. The amount of incredible matches, storylines, wrestlers, tag teams and crews this company produces is amazing. 10/10."

[8.0] "S2.39tarted watching since they got the tsn deal but I watch thru myaew. great promotion with so much potential, I really think they could be number 3 in wrestling. The northern show really made me believe with the production and everything. Hoping there's a season two but I haven't seen any announcements."

[3.0] "Unimportant for how long they've managed to exist, have spawned some names but never any big moments for said names, not many highlights of this promotions run and everytime I've given it a shot its fell flat. Boring, ineffectual. I believe the potential has always been there but its forever been u⁠ntapped. The big names they have aren't good enough to wrestle anywhere else, as is right now. And they haven't tapped into any of the potential one would think they'd have. It's a shame and it makes me sad."

[] "I haven't really enjoyed much of what stardom has booked in 2026 & its matches aren't reaching the highs other promotions are hitting. Okada is really laying an egg with what he is doing"

[9.0] "Bodyzoï was the promotion who made me rediscove8.70r pro wrestling after a break of almost 15 years (was only watching WWE as a kid before). Crazy match-ups with high quality wrestling, great local talents, crowds are always on fire. You can see rising stars and confirmed veterans. They tend to forget they are a Belgian federation which is disappointing for us Belgian fans but hey, I guess France sell better internationally."

[8.0] "Tokyo Joshi Pro-Wrestling is without a doubt one of the best Japanese wrestling companies out there right now. It has a mix of everything. It has its serious main events, it has silliness in the mid-card, and amazing presentation from the workers and broadcast a whole. TJPW has its own vibe as a wrestling company, and it always brings a smile to my face. Any wrestler can go down the card and have an enjoyable match while waiting to move back up the card, there is such a nice balance in this company that most companies fail to achieve."

[8.0] "the apex of comedy wrestling right now. its incredibly to watch and their highlight reels have definately gotten some of my more​ anti wrestling friends into the genre."

[7.0] "It isn't easy to review an entire promotion. In the grand scheme of things, ​I've watched so little. I would say the company peaked aesthetically and with its roster in 1996-2004. That feeling was never matched again, despite the company putting out quality matches and rivalries afterwards. The roughest patch was 2010-2022. That's very general and does not apply to (most) of the NXT division, but that's when the company began to get stale and watered down. Once competition had died for a while, they put less effort into the programming, and it shows - the best stuff - the Summer of Punk, the Yes movement - were spun from crowd frustration. Once Vince departed from the creative side, there was a dramatic improvement with all his silly rules gone and a better work environment. It's still far from perfect; the wrong people are getting pushed right now, and those with potential have been held back a little. Still, I continue to follow WWE, especially now, because of its more consistent quality. EDIT: So, since the Main Event of Mania 41, Sunday things have gone downhill, with the blame generally going to TKO, whereas it was originally directed toward Triple H. Whoever is more responsible for the decline in the product is very obvious from a business model standpoint, the main complaints being the cartoonishly expensive tickets that only Mr Burns and Scrooge McDuck can afford, with going broke and the constant advertising. It also breaks my heart that instead of Aleister Black returning to the main event scene, we got Pat McAfee due to out-of-touch billionaires who still think that Dwayne Johnson is on top of the world. Hopefully, their loss of money will convince them to stop tampering with the product. ****** Golden Age (1985-1993): 6/10 / New Gen I (1993-1996): 4/10 / New Gen II (1996-1997, KOTR to Bad Blood): 7/10 / Attitude Era I (1997-1999, Survivor Series to Russo's departure): 7/10 / Attitude Era II (1999-2002, Survivor Series to Get the F out): 8/10 / Ruth Agg I (2002-2004, up until WM XX where the 'vanilla midgets' win titles and Ross retires from talent relations): 8/10 / Ruth Agg II (2004-2010, up to WrestleMania 26, where Ruth Agg talent either retires, departs or goes part time): 8/10 / PG: 2010-2014 (Up until 2014) / Reality Era (2014-2016, up until the second brand split): 6/10 / New Era (2016- 2020, up until the pandemic): 5/10 / Pandemic Era (2020-2021): 5/10 / 'I Can't Think of a Name' Era (2021-2025): 7/10 / Ruthless Depression (2025-Now, begins as soon as Travis Scott appears in frame): 3/10 ******"

[4.0] "On one hand, it had plenty of decent talent that ran through its shows in its early years. On the other hand, it was directly responsible for making wrestling highly restricted in the state of Kentucky, catered to an audience of dozens who watched guys mutilate each other, and whose promoter was personally responsible for the death of at least o​ne of his own talents by paying him in drugs instead of money (on top of being an absolute scumbag of a human being). I'd never go to an IWA-MS show, but for what it's worth, it did have the decency of giving talent a reason to go to better places like ROH and TNA."

[4.0] "MLW is "the place where some of AEW's stars got their start." It's had good talent over the years, but a lot of them have been stripped out by AEW because Court apparently runs his promotion off a shoestring budget by secondary promotion standards. There are very few standouts among the current roster, and MLW feels like it's running low on ideas - they had bootleg Lucha Underground, bootleg Devastation Inc... even a bootleg Great Kabuki at one point. Kross and Scarlett are good, and Austin Aries still has the personality and charisma he used to, but there's really not a lot of standout stars - their recent issues with CMLL over the Tessa Blanchard booking wasn't helpful, and it's not a good look when one of the foremost luchadors on their roster is a literal mascot for a tequila company. Still, they've been a "major indie" or tertiary major company for years, and one can only hope they end up stumbling upon good talent and stories soon enough."

[2.0] "They have some good talent (there, I said something good about it), but the leadership team seems... schizophrenic. They honestly believe that after presenting gangbang pregnancies and domestic violence, not to mention stereotyping some of their women as whores and dropping enough profanity half the show would need to be censored on TV, they can get a streaming deal. They're a niche promotion that offers tickets for free, barely gets attendance in the hundreds (mostly due to Juggalos who're already there for an ICP concert), and whose internet show draws less than MLW. They make hundreds of dollars a show - it gives off tremendous money mark vibes. I know they got rid of Vince Russo, who was apparently behind the last year of this nonsense, but there's less than a zero chance that ICP and the team behind JCW will ever make this anything more than an EXTREMELY niche product, one that leaves an acrid Faygo-tanged aftertaste in my mouth after giving it a watch."

[10.0] "My hometown promotion, and the foundation for everything from national broadcasting of wrestling, giving music to talent as they come down the aisle, running arenas instead of a studio for TV, and Texas-style wrestling. Fritz made more than his fair share of mistakes and ultimately cost World Class the opportunity to become the dominant promotion in America, but the amount of talent that it created, many of which still impact the business today, is unmistakable."

[6.0] "It's essentially "Scott D'More's TNA without Anthem's restrictions." Has a relationship with AEW and has brought big names in from that. Draws well for Canada and most importantly has good production capacity for an independent promotion - almost TNA-like in its capacity. You could raise your eyebrow at the booking the same way you could've when Scott ran TNA, but it's certainly been successful in the 2 years since it's been running."

[4.0] "AEW's position is both a blessing and a curse. There are plenty of good wrestlers, similar to the WWE, but also similarly, the AEW roster is incredibly bloated. They used less than a quarter of their roster on their biggest pay-per-view of the year, and the average AEW wrestler is lucky to show up once every other week, if not once a month. The promotion's booking is bad as a result - a tremendous amount of unnecessary 6 or 8-man matches almost every Collision or Dynamite. AEW does give their talent significantly more flexibility than the WWE, and Tony Khan seems to care more for his roster than the suits at WWE do - you have to try to get fired. They have relationships with a slew of independent promotions (unlike the WWE) and have the potential to turn around from their own downward spiral due to Tony Khan being THE man in the promotion - if he wants to make a change, no one can get in his way to stop him."

[2.0] "The WWE is the oldest major wrestling organization in America, and has historically been decent. However, as of late, their booking, shows, and talent have been weak. WWE suffers from a similar problem to AEW in that the​ir rosters are incredibly bloated, meaning very little focus can convincingly be given to new talent to help them get over. They have around 3 different developmental programs (WWE ID, Evolve, and NXT), all of which have failed to produce a credible star. Their apparent insistence on doing Crown Jewel despite the airport in Riyadh having been hit by Iranian drones multiple times in the past week, is probably the most insane thing they've done wrong. I have to give WWE a lower score than AEW because its corporate leadership means it'll be hard if not impossible for any of them to come to a decision that can bring the promotion back to its former glory and start putting more fans in the seats."

[6.0] "I don't really jive with the whole idea of Tazm⁠askar - it comes off less as a wrestling promotion and more as something like an ARG (ilovebees.com, etc). Still, it apparently has credible enough talent who can work in the ring, and the vignettes/matches are shot well. An interesting gimmick promotion and certainly a change of pace from the usual new indie show."

[4.0] "I'm all for new promotions and investing in the industry, but Adam Abdalla comes across as the Temu version of Tony Khan: eccentric, an IWC and indie-minded wrestling fan, a money mark, and obsessed with recycling the s⁠ame indie talent instead of trying to reach a wider audience. It's basically a less-hardcore, more artsy GCW in an orange wrapper with a musical performance attached. This isn't worth watching, much less paying over $40 a year to see a few events on the MyAEW app. Also, I don't know how Abdalla is able to expand so quickly, doing a boatload of shows toward the end of 2026, which makes me think he has deep pockets or access to capital for the time being. I also think he's leaning toward taking market share away from Brett Lauderdale and GCW, as they are having a horrendous 2026, with the Super Indie model under pressure from high fuel prices and a shrinking streaming ecosystem. You can tell the GCW shows have smaller audiences in the seats and on the streams these days, along with a TrillerTV 75-events-a-year deal that is about to cease to exist and head to zero."

[0.0] "WWE under Triple H has fallen into a pattern I call "Stockholm Booking." The product constantly reels fans in with the promise of Black & Gold-level workrate, Attitude Era edge, and peak "cinema, " only to completely underdeliver at almost every opportunity. Looking back at a full calendar year of Premium Live Events, we have walked away with maybe a single genuinely great show. On a roster loaded with world-class talent, playing it safe to this degree should be grounds for serious criticism. Instead, endless slow-burn teases are used to mask formulaic, sanitized television. WWE is heading in an alarming direction. Settling for this as the absolute gold standard of professional wrestling lowers the bar for what the industry can be, and anyone satisfied with this output needs to re-evaluate what high-level wrestling entertainment actually looks like."

[] "A great family oriented promotion with wonderfully main roster tale t with great geust talent coming in all the time the best promotion in Oklahoma by far"

[8.0] "GNW does its best to present a competent, serious show across men and women's wrestling. Even after years of inactivity, it was still able to draw more than other Canadian independent promotions, and even more than a TNA show on the same day. The promoter's thick skinned, a bit gruff, and while there's been plenty of controversy about him over the years, he's certainly done an excellent job at promoting himself and his organization. I've heard they may be moving from Canada to Kansas soon, which should make things interesting on whether GNW can draw as well in America as it did in its original country."

[0.0] "They hit rock bottom so bad it's not even​ close on how they used to dominate AEW and they just tossed it like, they threw all of it out the window due to their constant ads, shitty booking, the wrestlers looked slow as shit despite some of them can go really fast, and not to mention how bad the storylines are, not to forgo the fact that TKO does not give a flying fuck about the safety of their wrestlers and their paycuts have gotten to the point that the new day had to leave due to the severity of the situation. I do not care what everyone else has to say I wanted to give it a shot but no way in hell do you managed to fumble talent let alone bury them for shitter wrestlers."

[10.0] "Triple AAA has been recently doing so well recently this year following it's accuisiton into WWE compared to CMLL that both lucha libre companies are like butter with the booker being undertaker and i was very impressed how the booking is. EDIT: I bumped it up to a 10 now that AAA is basically succeeding than they did before, the only criticism I have is they need a better TV deal since having an hourly show is never enough."

[9.0] "Really super cool concept that delivers perfectly well. Its a 9 because the wrestling can be a bit slow, but i cant wait what they deliver next!"

[9.0] "Really, really interesting concept with good workers to boot. Can't rate this a 10 since, as of right now, the series is not finished so a lot is still to be determined."

[10.0] "AEW Deserves all the Love Specially The Matches , Every Single Match Feels Like a Premium Event Quality Match , Other Major Promotion Only Use their Television Time into Promo's & BS , But AEW Always Gets the Best out of Everyone in television time & PLE'S are Even Better than WWE"

[10.0] "I really enjoy how th7.3is promotion is managed by Meiko Satomura. The Senjo vlogs are the best thing on Youtube & their shows is a great example of how wrestling should be treated. Performers like Spike, Hashimoto, & Iwata are believable in the ring & the consistency of the Sendai Girls matches are terrific.."

[6.0] "A promotion that suffers from a talent drought, injuries they can't afford at a time where big names is very much needed, & substantial booking to bring in more viewers. Stars that are being built up & are getting over immensely with the audience are Victoria, Rea, Chiaki, Seri... they have a good roster but not being able to get the opportunity on securing a major star like Kairi this year did not help Rossy whatsoever & further continued leaving the bleeding wound open. Grand Destiny is projected to have Thunder Rock reunite so that would truly help Marigold get back on their feet in theory, but we would have to see how they start to do afterwards attendance wise, especially after Seri Yamaoka returns from injury. I also would like to add that I personally think Miku Aono is one of the best world champions in the business today."

[10.0] "Hatsoff to Jeet Rama Sir. The show is on its peak. Johny Bollywood becoming Champion will be writing best in history of Indian wrestling. This will connect and lead us to world all around. Hope to keep getting the best of its level as the opportunities are available and always open. No merger required. It made it's space in our hearts, i.e. found its soul on own soil. A Massive Brand and exciting to watch the trending upcoming full show exclusively on YouTube."

[] "I discovered this promotion at it's second show, Damaged Goods 2: Too Broken to Fix, and I haven't missed a show since. I've dragged multiple friends along who also now refuse to miss another show. It's always a fantastic, fun, well booked show. I recommend ​them highly."

[4.0] "The vanilla of professional wrestling. You will never get too much but you sometimes get too little. World Wrestling Entertainment has never been close to perfect, even at its highest highs is still the same company that will turn around and have some of the worst business decisions ever. Vince McMahon created a massive empire that is doomed to fail. Vince killed the territories when his father said not too. Bruno was a star not made by Vince, Hulk Hogan was already a name and used "Patriotism" to make the biggest star of the 80s, Stone Cold, who would be a big star regardless, Vince stumbled into Stone Cold and created the buzz of the late 90s, never followed up when his biggest stars left, leaving us with the boring "PG era", which is some of the worst things a wrestling promoter has ever produced. So many scandals that can't ruin their image, cause its already "too big to break". Vince has ruined wrestling in so many ways. RAW and SMACKDOWN are so low that if you don't tune in, you don't miss most besides boring written segments and forgettable matches for sponsors from TKO. Oh god, TKO has turned this company into even a worse version of itself. The "2021-2024" era of WWE will be remembered as its last ditch effect to claim the throne of professional wrestling, it was almost like we got carried away, we took it for granted cause we didn't know what would come after. WWE has done so many bad things for wrestling while almost not caring about what they leave behind. WWE is no longer the "end all, be all" and that's a good thing for professional wrestling. NXT in 2016-2019 was the only save and grace the company had, almost beating the weekly shows in quality every week. If you can, go explore all forms of professional wrestling and leave this one behind. A company that has no respect for its workers and audience don't deserve to be this big. Enjoy your kiddie segments and very occasional one-off great matches that you can catch on a later watch instead of forcing yourself to watch every week."

[8.0] "All Elite Wrestling will go down in history as one of the most important moments in North American wrestling and wrestling as a whole. Tony Khan had the moment all dream of, being able to book wrestling with almost unlimited money and the cornerstones of professional wrestling. All Elite Wrestling came around at the right time, World Wrestling Entertainment was in the midst of slump in the world of wrestling, many people tuned away and found companies like New Japan, Ring Of Honor, PWG, Pro Wrestling NOAH, and on and on. A wrestling surge was happening and Tony Khan, Kenny Omega, the Young Bucks, Cody Rhodes and more brought us the ultimate escape. However, in the overwhelming positive things that can be talked about, AEW has some really large downs. Some championships mean almost nothing for their lineages, weird business decisions, sometime unprofessional problems (i.e Matt Hardy almost dying, the All Out Brawl, etc.). The womens division has never been where it would be with its roster. The tag team division is "Young Bucks/FTR win belt, lose belt, some tag team have it for a bit, and it comes back around to Young Bucks vs FTR". The Death Riders bubble of early 2025 may be some of the weirdest viewing experiences I have ever sat through. But man, All Elite Wrestling, even at its worst, is still an above average viewing experience. AEW has only really one underwhelming pay-per-view experience and has been hitting it ever since. In such their short time being a company, it has created multiple memorable moments.Even if you are just finding out or been here since the beginning, you are in for a hell of a time."

[9.0] "I tried to get into TJPW for a long time, and I finally get it. I've consistently enjoyed the shows, and the comedy for a while now. The way they pace their shows is incredible. Main Events feel so big due to the less-serious undercards."

[9.0] "Thunder Mountain Wrestling feels like a throwback to when professional wrestling was about tough compe6.33titors, memorable characters, heated rivalries, and giving the audience a reason to come back next month. If you're anywhere in Southern Arizona and consider yourself a wrestling fan, do yourself a favor and attend a TMW show. You might walk in expecting a small-town independent wrestling event, but there's a good chance you'll leave feeling like you discovered something special."

[10.0] "No wrestling promotion is perfect, but I'm elevating a strong 9 to a 10 ⁠because there are seriously people out there that deem this company worthy of a 0. Yeah, wrestling is beautiful, but wrestling fans can be incredibly stubborn and nearsighted."

[10.0] "AAA doesn't get talked about as much as it should. Since the TKO acquisition, it has become one of the most consistent promotions in wrestling. The El Grande Americano storyline is the best example. It started as a comedy act and then it turned into one of the best angles in the recent, not to mention the matches and the quality of the matches that they've been delivering. It's not flawless. The card can get crowded and some feuds drag but AAA has been one of the most reliable promotions to watch lately."

[] "AEW it's a great option! They do wrestling their way and it clic with the way I like it. Great matches on TV, Top Tier PPV's, there is a lot of p7.36assion in the work they put for us and I really love that. Give it a try!"

[10.0] "Great promotion with lot of death matches. They almost only use UK wrestlers except for the big weeken​ders which is great. Great storyline, great talents, great heels. High quality matches. DIY."

[10.0] "I recently started to enjoy GLEAT considering it's basically the last japanese promotion for those who basically can't find work anywhere else but if they want to act like a good promotio⁠n they need to fix some of their issues since they're basically a combination of a pro wrestling company and MMA promotion (just like how inoki did with IGF but failed)"

[] "This is one of the worst promotion in wrestling today, it's every bad about indies wrapped in a diaper of shit, Terrible promos, Dumb storylines and matches that will make aew sickos cream in their pants, at least MYSTERY wrestling knows it's a joke but boom presents itself as serious wrestling promotion with Abraham Lincoln as their world champion the marks should be in the audience not in the ring.""

[] "L'APC est selon moi l ameilleure structure de catch française et ceux pour bien des raisons. Premièrement elle à été fondée en 2003, ce qui en fait une organisation pionnière du catch en France. De plus l'APC organise à un rythme quasi-hebdomadaire des shows de catch. Cequi en fait donc une des plus anciennes, mais également l'une des plus productives de France. De plus leurs shows sont bien construit, avec des titres, des rivalités. Et ont permis de mettre en avant les catcheurs francophones, tels que Elio Lefleur, Ricky Sossa, Kuro, pour ne citer qu'eux."

[10.0] "This promotion is amazing with a lot of focus on new talents. The "Factory" shows are typically to give experience to young wrestlers while the other shows bring great names to fight against local wrestlers. A lot of quality match at each show with a great atmosphere. Bodyzoi is back !"

[9.0] "I've poked my head into lots of different promotions and can't reasonably give them a fair shake, I just have a very incomplete picture from my less-than-three shows or very-few-matches that I've ob⁠served from these people in a very narrow slice of their history. Whereas WWE I've watched a big chunk of their weekly content from a specific era and a huge swath of their pay per views over the last half century, I have watched every single Dynamite, Rampage, Collision, and Battle of the Belts, plus every pay per view and I did most of that at the end of 2023 into 2024, and am in the midst of an abridged rewatch with somebody who I'm trying to onboard in time for the next C2 (just nine months of shows to go and probably a month and a half before that starts). I love AEW, and I'm very pleased with their product as a whole. There's definitely less on Collision that's worth watching, and I definitely understand the women's division needs to be given much better attention. It's a bit disappointing in that regard, but the highs in the men's division are VERY high. I hope one day AEW's women's division becomes more on the level of Toni vs Mariah for the world championship, their inaugural Blood and Guts match, and Mercedes for the TBS title vs Statlander and Willow across the board, rather than the glimpses of genius that float in and disappear far too rapidly. Still, I feel comfortable giving a 9 to AEW."

[] "Really a great promotion. The production is very professional. There is a good mix of styles of wrestlers, they get the best of the British independent scene and occasionally bring in big names from around the world. Most shows are done from the Anarchy Brewery which is a fun and intimate venue. The wrestlers are all very professional and hardly make mistakes. The promotion is full of great hidden gem matches. It's a great place for meeting wrestler after the show. It's a great place to meet some up and coming wrestlers, people like Leon Slater and Will Kroos have recently performed before going on to TNA and WWE. The wrestlers they bring in are all nice, never seen any rude or arrogant performers. The social media and patreon are all professionally run. I think only improvements I could think of would be in building storylines."

[9.0] "An unbelievable Joshi promotion that's gone through its fair share of changes, including losing some of it's star talents to the heavy-hitters in North America. However, Stardom always manages to pick itself back up and seemingly creates a new generation of talent. Storylines are hard-hitting, and mostly play out in the ring, making them accessible to all fans regardless of Japanese language levels. They are in a boom at the moment, with some amazing wrestlers on their roster, with many more pushing through."

[0.0] "A once great promotion that has killed itself from the inside due to poor booking, senseless releases, backstage scandal after scandal, non-stop celebrity crap, and the TKO takeover focusing on profit and ad placement. They either need to clean house of all the Vince defenders (Brock, Triple K, etc.) or they will continue their fall from grace and end up the next WCW. They force talent to change their ring names so that they own the rights, don't let them work indy shows with talent from other promotions, and refuse to develop new stars. Shows like RAW are upwards of 3 hours long and barely feature an hour of in ring action. Plain and simple, WWE is a sports entertainment for profit company, not a pro wrestling promotion. HHH is a producer, not a promoter. Now it turns out that the big nosed dufus son-in-law is using AI because his simple brain can't write. Don't get me started on their braindead, childish ass fans. Constantly commenting on other promotions posts using performers Fed names saying that they need to come back, etc. Grow up, basement dwelling, far-right incels. Did I mention that they donate to and support a known pedophile? He's even in their FUCKING HALL OF FAME. Fuck this company. That alone gets them a big fat ZERO. You don't get to cater to fascists and pedophiles and get anything above a ZERO."

[9.0] "Stardom is one of the best wrestling promotions if not the best promotion in the world right now. My favorite wrestler Mayu Iwatani was the Icon of Stardom for the longest time and when she left, Stardom never lost a beat. The only complaint I have is that they should learn to push ne​w talent higher in the card (give them a chance), like Sayaka Kurara, Rian, and Azusa Inaba. Other than that, Stardom is my favorite promotion and their doing an almost flawless job right now"

[10.0] "Has one of the most fascniating wrestling stories for a television show, and you can watch it from beginning to end with some historical context and can really feel as though it's a movie. I'm enamored by it for this regard. It is an entire, thing, all unto itself, and for what it is it may be the best eighties wrestling had to offer on TV. I admit I've not seen everything, but I've seen most of Raw, lots or Crockett, and I think I prefer this. There is something distinctly eighties, but, cool eighties? ! Not lame, never really shlocky. Maybe being youn​ger helps this but, I was so enamored by the entire run when I watched it on WWE network years ago that I didn't really fixate on many of the flaws. I want to do a rewatch so maybe they'll be more apparent there, but the stars this show produced and featured, some of these feuds and matches, its all the stuff of legends."

[10.0] "The best pro wrestling company of today! I can't believe it's been 7 years of being All Elite and to look back and see the amazing work every performer has done for the company is beyond commendable. Thank you Tony and The Elite f0.60or saving pro wrestling."

[9.0] "WXM is growing much faster than i expected with great exposure in wrestling community with it's quality content, they are bringing ZSJ, DIJAK, SHA SAMUELS, RAJ that's very great for them."

[] "I used to love WWE, but in hindsight, most of the past 25 years are filled with what ifs. Not to mention the TKO corporate machine that has sucked the already very limited rest of genuine heart and soul out of the company. Not that the sex pest Vince McMahon with all his weird rules and his hatred for everything pro wrestling hadn't already done a really good job of that before TKO was a thing. Today, it's a cult, you can't be the Voice of the Voiceless unless you sucked some blood money covered Saudi d**k, and its a cog in the big bad fascist machine of​ America to top it all off. WWE is not getting my money anymore, not getting my clicks on social media, not getting my views on Netflix anymore. And I became a fan in the very early-90s and went to great lengths at a time when that wasn't all that easy before the internet. F WWE!"

[9.0] "A fantastic promotion a lot of the time, I could wax lyrical about the positives about it for hours. Literally the only complaint I have is that when they are outside of a tournament cycle, they feel this obsessive need to cram the entire roster onto every card, so you are just watching show after show after show of tags, 6 woman tags, 8 woman tags, etc. It can all just feel very meaningless. It kinda just leads to everyone feeling part of one homogenous mass, and can stifle a lot of individuality and personal storylines a lot of the time. I guess what this boils down to is "Please, run more singles matches". Outside of that, a brilliant promotion."

[10.0] "My overalll favorite promotion! EVE Is one of the best representations of women's wrestling right now and I have enjoyed every⁠ event that I have seen!"

[8.0] "They need more foreigners like TJP and Parker Boudreaux those two foreigners should be on every single GLEAT show. GLEAT is my favorite newer Japanese company I will always support them as I see them growing into a bigger NOAH"

[0.0] "A corporate machine disguised as a wrestling company. The TKO era has completely ruined the product with ads and corporate sponsorships. Booking is inconsistent, with bloated 3-hour shows that waste a ridiculously talented roster. While pushing part-timers and safe, predictable choices over new stars. Overpriced ticket prices are driving real wrestling fans away, and constant last-minute rewrites just show that corporate profits matter way more to them than logical, long-term booking. WWE is currently run like a cold, profit-driven media brand, not a pro wrestling promotion. I'm really suprised they manage that to return to 2019 level and even WORSE than that. After Years of watching I'm stopping watching WWE now, goodbye."

[7.0] "Marigold is good and they were the talk of the town back in 2024 and everybody thought it would've started well, however they have a bunch load of problems itself, mainly bookings, injuries and talents leaving. Booking wise has been very lacking, especially if it's rossy ogawa, you can't expect much. Injuries have been a constant play towards talent and it hurted marigold talent that they had to rely on the same talent or freelancers. And the next one is talent leaving- Giulia left first to join WWE (i mean she was in her freelancing era at that point to finish her dates in japan.) then Bozilla switched to STARDOM, followed by Ryoko Sakimura (she requested for her release but then for some reason she took a year of hiatus from wrestling), Naho Yamada (she has yet to wrestle this year and most likely on hiatus since 2025), MIRAI (she did make some cameo appearances in Marigold), Yuuki Minami (SHE LEFT MARIGOLD WHILE BEING INJURED), then Utami (she became a freelancer but ended up rejoining STARDOM), Mai Sakurai is leaving on the 26th and Nao ishikawa might be the next one to leave since she decided to withdraw from the grand prix, SO MANY TALENT LEAVING LITERALLY IN A SPAN OF TWO YEARS."

[9.0] "I've been really enjoying NOAH this year. Definitely one of those promotions in Japan that I always love to watch. 2026 specifically seems to be a huge net positive for NOAH financially as well"

[10.0] "I have so much respect & admiration for TJPW. Hyper Misao's intelligence creative wise, the mix of legitimate wrestling stars like Arai, Yamashita, Miu.. alongside comedy geniuses like Pom is just so, so good. I am ve⁠ry addicted to watching TJPW when they go live"

[3.0] "A frustrating promotion to get into once you watch every show & take away the surface level knowledge of Taro Okada's booking. Lots of promise with the amount of talent on this roster, yet there are no real bright spots in the house shows they run with no storylines, random triple threats, & meaningless multi-tag matches that lead to nothing. Ever since Bushiroad has taken over Stardom, it's been a lot more corporate & not really focusing on the long term direction of getting their performers over. They' I'd say my favorite decision that Taro has made so far this year was making Suzu Suzuki the champion & they did put effort in getting her over earlier in the year with gimmick hardcore matches & giving MVL plenty of wins, but when you look at other top stars like Kamitani, Momo, Azm + so much others & you're not doing anything with them on the cards & everyone is just stagnant creative wise, it's super boring compared to Stardom's booking last year. When Utami returned in May of this year & had that face off segment with Kamitani, it was red-hot from the start & ever since than there's been nothing going on between them. I understand they're saving that singles match for a big venue but give us something, at least? A mini feud with Utami & Konami to get Utami more over? It's not like they're doing anything with Konami either, it's disappointing. At the time of this comment, Yuna has been the High Speed champ for 282 days yet what has that brought to the table? Why are they not making these title reigns mean anything?"

[0.0] "The absolute bottom of the barrel in disappointment & sadness when it comes to wrestling. WWE is a cancer to this business, they are funded by Saudi Arabia which violate human rights by us​ing slave labor to build their venues & have did treacherous things in their history. WWE is a MAGA company. They are a far-right wing federation being supported & funded by the worst people running this planet. Vince McMahon has countless allegations to his name, Triple H runs this company & cheated on the late great Chyna in order to gain power in this business with Stephanie McMahon. It's unfortunate & depressing with what this company has come to. I completely refused to give my several hours a week to NXT, SmackDown, RAW, & Evolve every week after SummerSlam Sunday. I, as of today, am no longer even going to watch anything WWWF/WWF/WWECW ever again in my entire life & that's a shoot. They have resorted to moving to Rumble, a far right streaming platform for extremists & that was the last straw. Yes, I will not even support Attitude Era matches or shows anymore, I am completely separating myself & my life from this company & vow to never discuss or to talk about any of their current wrestlers any more. WWE is severely depression/anhedonia-inducing & it's just like man, just why. Good riddance & stay on that side far far away from us."

[7.0] "It's far from perfect, though there is some already reliable talent with some AEW help. I've been a huge Scott D'Amore fan so I'm down what's got going always. It's still in it's infancy so time will tell!"

[10.0] "This show touched my heart immediately and never slowed down. The tributes to Pac as a man were wonderful. The tributes to Pac as a wrestler were visually stunning. The pair of surprise appearances in the main event were stunning. And the final image of the Death Riders surrounding Pac's chair will stick with me for a l6.41ong time. That video package at the end was phenomenal. I would give this show 1000/10 if I could."

[3.0] "I have a funny way to have experienced WWE. When I was first curious about the concept of pro wrestling in late 2020, I watched the first episode of AEW Dynamite and went "alright, you've got my attention" and immediately had to stop because episode 2 was missing. So, to figure out why John Cena was hated, I decided to get some background, and so I had a big batch of RAW and Smackdown episodes I started working my way through, just a random needle drop in 1999. I was mesmerized for a full year, year and a half of TV. And then I got distracted doing other things after I decided 4 hours a week and a pay per view or two a month was too much to screw around with to catch up with for 20 years. Few years later, I remember wrestling existed and started watching AEW and, simultaneously, all the Undertaker Wrestlemanias. It's a wild way to work your way from Wrestlemania VII to the present. Nothing ages quite like 80s WWE. But things perked up for the late 90s, the 2000s, even the 2010s had a lot going for it. I also became aware of Roman Reigns's 2020s resurgence, so, as soon as I was done with the Wrestlemania of 2020, I started watching every (non-NXT) pay per view starting with his return. It was that good! But then fortunes started to change for WWE, pretty much as soon as Cody won the big one. The advertising got more obnoxious, the sidelining of great wrestlers got more frequent. It was a shocking drop in quality, while AEW dragged itself back up from a franchise low. I went from watching every PLE and the odd RAW/Smackdown to just PLEs with good matches to just Wrestlemania to jack squat. I think in the end the "house style" of WWE doesn't appeal to me - the best of their (modern) matches as rated here don't gel with me. That, along with the 40/60 split of wrestling to in-show ads on their PLEs, the historical mishandling of the women's division, the drug problems, the insane work schedule of their athletes historically and even today (though much improved), the union busting, the Saudi sportwashing compliance, the destruction of the old landscape of wrestling, the various ways they mismanage the rosters in general year to year, the various sex crimes allegations over the decades, and, oh, let's just end with AAA and TNA getting fingered by TKO, I think a 4 might be a generous rating. I'll go with 3. Y'know. Because they're so influential."

[6.0] "The successor to ZERO1 even though ZERO1 isn't dead? A few of these guys have strut their stiff in NOAH and have come off real well. A good young core even though it⁠'s not the hottest product"

[10.0] "AEW is, quite simply, the best wrestling promotion you can watch right now if what you want is wrestling that actually feels like wrestling. It's not perfect, and no promotion ever will be, but the sheer amount of talent, variety, match quality and​ creativity consistently outweighs its flaws. I appreciate most about AEW is that it feels like a company built by people who genuinely love the history and different styles of professional wrestling. You can get world-class American wrestling, strong-style influences, lucha libre, hardcore wrestling, technical wrestling and the best of the independent scene all under the same roof. And with a roster this stacked, there is always another wrestler, another rivalry or another match worth getting invested in. The match quality is obviously the biggest strength, but it's not just about having great matches. AEW has given me moments, rivalries and wrestlers that have made me care about wrestling again. AEW is one of the very few promotions that can still make me genuinely excited to see what happens next. It's not flawless, but when it's firing on all cylinders, there's simply nothing else quite like it."

[7.0] "FVF would be a special wrestling promotion in China, as it was created by a famous Japanese pro-wrestling uploader, VGM the Lock. He used to promote a title named BWF, but it is similar to the Ironman Champion from DDT or the (24/7) Champion among the Chinese wrestling fanbase. He finally started a wrestling promotion in 2024 with a debut show featuring Ito, T-Hawk, Cima, and Junjie as the main event. The Special part about his promotion is that he would regularly brought Japanese Female wrestlers to the show, and those wrestlers are capable of making good matches in China."

[8.0] "B​estYa Wrestling became in a very short period of time one of the main Promotion in Italy also with an internazional flavour (The Booking of Mercedes Mone not once, but twice) and the capacity of explore different possibilities (like the organization of one of them Show in Roma/Roma after a series of Events in different cities of Lombardia), even eith some collaboration. This Company is before and right now very relevant, with a good cover from Social Media stand point, the YouTube Channel is pretty active and even the TV exposure is valid. The Staff is full of capable person and the future appear very bright for the Federation created by Alessandro Bosio. My real Vote is 8, 50 Out of 10"

[8.0] "Mystery Wrestling feels like a promotion where you never really know what you're going to get, and that's a big part of the appeal. The atmosphere and crowd interaction add a lot, while the local talent gets a chance to stand out. Not every idea lands, but it's definitely different."

[9.0] "One of the biggest in Spain with great history. Before the pandemic probably was around the top 10 in Europe. Now it is still kicking hard."

[10.0] "AEW is absolutely the best you can currently get with mainstream wrestling. It's by1.30 no means perfect, as is any promotion, but its flaws are far outshined by its strengths, and it currently has one of the most stacked rosters of all time."

[8.0] "The ONE promotion that is actually different. Finally a product which resembles something other than a bad copy of APC or BZW. If they keep their core around Georges Balzac, Yann Skoric, Cormac Hamilton, Ethan Allen and Adam Frost ​they will develop a nice pure wrestling identity."

[7.0] "After their departure, this Company return with a Summer Event before and after with an enfatic come back with a Tribute Show to the great italian Rapper Primo Brown from "Cor Veleno" and in the same night with one bout and a Mini-Tournament decleared their Tag Team Champions and Single Champion. Unfortunately the Event was too long with too many matches, but beside that the Spectacle was enjoyable. RWA also has a Wrestling School and the fans takes the fingers crossed for another Event sooner or later. My real Vote is 7, 50 Out of 10"

[9.0] "Dream Wrestling is a great School and an extremely good Project and Platform for young Talents from southern and from all of Italy and other parts of Europe and for experienced Worker from everywhere. This particular and peculiar Company has the consistency based on a production of Shows standpoint (even for the online distribution via VOD) and for the capacity to train the Wrestlers who formed almost all of the Cards of their Events. Dream Wrestling is one of the most enjoyable live experience in Italy for this form of Art and one of the most important Promotion in the peninsula"

[9.0] "SAJ takes the vibes of ASCA and go forward at 100% with a great consistency, perseverance and passion! They mixed the best italian Workers with different Wrestlers from UK, Mexico and Japan to create the best Card for every single Show. The Production (VOD) is on point, the presence on Social Media is very adequate, the Stage Presence had an improvement during those years and the only "department" to fixed is the Audio/Sound Part. Apart from that, SAJ is one of the most important Promotion in Italy (es: The Sould Out for "Evil Eye" with Tetsuya Naito in 6 days) and takes is own space and place in European Wrestling Scene Current Vote: 9, 5 out of 10"

[8.0] "This Company was born with the fusion from Italian Wrestling Association and European Pro Wrestling and in only 3 years of activity was able to realise great Events in Rome/Roma, with two Signature Locations, one Web Show, a very good Roster based on Local Talents and with some "Import" choosing with intelligence and a very solid fan base. My real vote is 8, 75 Out of 10"

[8.0] "A very good Promotion and School with 10 years of Events in many cities of Lazio/Ciociaria and Rome/Roma and this Company is one half of the Pro Wrestling Roma Duo with European Pro Wrestling. An extremely active Company with a strong Roster and solid/ entertaining Events, with signature 8.50names and an entusiastic fan base. They can propose Spectacles with only italian Wrestler and other Nights with a perfect balance with Locals and foreigns Stars. This Project has a remarcable Production Value and a quite good presence on Social Media, they only need to be more reactive with the online's pubblication of they Shows on YouTube, but considering the Regional TV deal they had and have right now this could be a minor aspect. My real vote is 8, 75 Out of 10"

[10.0] "Meth Lab BattlArts was one of the most clever and appropriate things ever said. I love IWA MS, from the tiny crowds to the classic matches to the triple and quadruple shot weekends. Peaked higher and more interesting than almost any other promotions ever."

[0.0] "For a moment JCW had me interested in what it was doing. They had an interesting storyline going where Kerry Morton had to win his next three matches in order to earn a title shot at Caleb Konley's JCW Lunacy Championship and if he failed he'd leave the company.. Well he did that AND won the JCW American but was made to leave the company regardless, at which point I stopped watching the show and indeed, the company altogether. If your booking can't make good on their prom4.10ises, then your company doesn't deserve my time or anybody else's for that matter. Such a pity, but if they can't do better then this screw 'em."

[0.0] "MLW was reay on the rise and had an insane level of potential, s1.35ad to see how they moved forward. Between Matt Riddle and Tessa Blanchard, MLQ has been unwatchable. I applaud the talents who walked out, A very long list of wrestlers walked out of the company. They have no one but themselves to blame. They had an insane roster full of talented individuals who could really take it to the next level but MLW as usual, sabotaged itself."

[8.0] "I love this company imo it is the best company in Japan very very best talented vets and new talent like el Lindaman and Parker Bo​udreaux"

[9.0] "From technical exhibitions, to high-flyer specialist, to hardcore spectacles. From national to international talents, this company has a little bit of everything to offer. Whatever that comes out of a Lucha Memes show is usually guaranteed to be a good time for the viewer. The local crowd from Coacalco is, in my opinion, one of the best in the mexican indie scene nowadays, always loud and atmospheric no matter where the show ​is taking place."

[4.0] "I think the promotion itself has some good talent, however, it feels too unoriginally modelled on Rossi's past to have any real unique identity. I can't endorse some of their operating practices, and between throwing talent under the bus, poaching from other promotions and blatant copywrite infringement, some of it rubs off on the brand. A third of the roster was came across from AWG with the promise of 'Real Wrestling' but when I look at that talent, their paycheck has maybe improved, but can anyone say Marigold has developed them in-ring? That's a stretch."

[10.0] "I remember being exposed to the independents when I was younger through those MMVs (like, I don't know, a highlight reel of Adam Cole vs Kyle O'Reilly with Disturbed or Three Days Grace playing in the background) and I couldn't believe that type of wrestling existed. I love how the Indie operate with their matches so, seeing the most current most popular company (outside of WWE) being this unadulterated display of Indie wrestling makes a joy to watch week-to-week. Now, of course it​'s not a constant display of great matches every Dynamite and/or Collision but it IS super consistent when have those matches that have you the edge of your seat. Been a fan for a good month and I can say that AEW got me back into wrestling."

[0.0] "Ever since the summer of 2024, the WWE has only gotten worse and worse. Whether it's the lack of new talent getting opportunities and insisting on the same people over and over again, or how insultingly bad storylines have gotten. There was a faint glimmer of hope towards the end of Cena's career, but even that they somehow managed to fumble had they let him do the dates he wanted. This is now the biggest issue, playing it safe instead of interesting. The crowd wants to see wrestling, not slideshows of an AI generated gingerbread man. How anything that abhorrent can make it past creative is nothing short of disgusting. The whole product is now borderline unwatchable ever since TKO took over."

[9.0] "my favourite of the WWE owned properties. I like that sometimes they just book a match. not stipulation, no beefs, no drama, just a straight fight. it's very unique and I love that you get to watch the pecking order be developed over time instead of liking in other promotions where top guys are just permanently established a​nd don't need to Hussle against jobbers and midcarders to earn an opportunity."

[0.0] "I have a love-hate relation with this company. Grew up watching it an fell in love with it and was obsessed for years. The late 2010's made me quit watching and I came back only to see John Cena's final matches. While following Cena's matches I noticed the booking and storylines are so boring. I know the whole premise of WWE is sports entertainment. Even if you can't give us good storylines, atleast give us some good fucking wrestling for crying out loud. Not pushing wrestlers who clearly have the talent like Gargano and Bálor and turing superstars into mid carders like Shinsuke Nakamura who rarely makes it on TV. The only reason I'm watching is because of CM Punk (even though people call him a hypocrite nowadays) and Randy. After Randy retires I am done with this company."

[8.0] "This is a great wrestling promotion, it has its amazing moments, it has its downs too, this is the promotion that introduced me to wrestling and after watching a lot of them i still find AEW to be the one i end up liking the most simply for being a fan the longest, but with being a fan comes recognizing its flaws and sadly one of the biggest flaws in AEW for me is the female division You look at the men side and how they are booked and you see amazing stories with long term story arcs and character driven moments meanwhile the women's division is booked like how i expect someone who only watched WWE his whole life to book a women's divison, which to me screams that Tony Khan is the one running it, and while the division can hold itself up because it has amazing fucking wrestlers, the problem still remains, if amazing wrestlers can sometimes get a good story what does that leave for the girls who aren't as good? they get next to nothing, riho's last match was a year ago, nyla rose is nowhere to be seen, yuka sakazaki is on ROH for some reason im not saying its a bad division, or that it's the girls fault, im just saying that maybe someone else should be at the head of the booking, per​sonally i really like RJ City and think he can work perfectly with them since the one time where RJ worked on a storyline, it ended up being the HOLLYWOOD ENDING, which is probably (along with the whole golden lovers saga) the thing that made me fall in love with professional wrestling, i see women in this division and i know they are amazing because i see them in the ring and i see what they do in other promotions (megan bayne is an absolute killer in Stardom and GCW idk why she doesn't get any singles gold) and it pains me to see how most of them are handled outside of that, AEW is a great promotion and im happy to be a fan and for this one to be the one to introduce me to wrestling"

[] "With 15 years in the Peruvian market, GLL is the longest-running of the two existing companies. Although their shows are produced with great passion and dedication, the company has significant shortcomings. First, they have a very limited roster (a recurring issue for both companies); second, so​me wrestlers lack the skill level required for the show; and finally, there are too many titles (three) for such a small roster. The booking has largely been nonsensical, though it has been improving recently. It is also worth noting that the company works closely with the country's only professional wrestling academy, Tercer Impacto; the academy is responsible for developing new talent and is doing a good job. Show organization has improved but still has room for growth. Given its longevity, one would expect the company to produce higher-quality shows than its competitor; nevertheless, despite its flaws, it occasionally delivers great matches. Ultimately, I believe it fulfills the role of promoting professional wrestling in Lima, but it needs new leadership to achieve its potential and transform a long-standing company into a high-quality product. Even so, I recommend attending at least one show, as the people involved are incredibly passionate and talented."

[] "Peru is a small market for professional wrestling; nevertheless, Gladiadores plays an important role by striving to put on the most professional show possible despite its limitations. Although the venue where they hold most of their events isn't the most attractive, the atmosphere and the wrestlers' professionalism make for a unique experience. In short, it is the PWG of Peru. The only downside is the small size of the roster, which can cause matches to feel repetitive after a while."

[0.0] "World Wrestling Entertainment is the only promotion that can make me not care about AJ Styles vs Shinsuke Nakamura. I don't know what has happ​ened, look at WWE in the late 90's and 00's, hell, even some of the 10's. But recently the main product has been near completely unwatchable. The storylines are absolute garbage, the actual wrestling is okay at best on most week. Almost every episode of Raw & SD are almost carbon copies of the previous weeks, apart from a few different boring segments. NXT is the shining star in this shitty company. If you're looking for a promotion with interesting storylines check out Lucha Underground or Major League Wrestling. If you want great matches check out New Japan, Ring Of Honor, Dragon Gate, CMLL, NOAH, Progress, etc. Edit (2021): I barely feel that NXT nowadays can even keep this trash above 0. The dumb booking and confusing stuff on mainly RAW is KILLING this company. If WWE didn't have a billionaire and the legacy they would be crippling at the current moment."

[10.0] "Color me surprised, who would've thought Triple A would still be standing hadn't not been WWE's intention of buying it. Without it, AAA would've been bankrupted and since Borash and Undertaker have taken over, the production has improved alongside booking as well. It may not be up there with CMLL, but it's an effort that this company has been revived."

[6.0] "The MLW of Japan , home of quite a few problematic wrestlers. It's decent but Lindaman, T-Hawk and Nakajima are wasting their time there (though in T-Hawk's and Nakajimas case I get why they stay there)."

[8.0] "Im giving AEW an 8 there PPV are really good and I say they are better then WWE's. I dont watch AEW anymore because I got sick of watching wrestling almost every day of the week. From the short time I did watch it I liked it. Also I did not like there long PPVs on Sundays when I have to wake up for work at 5am (another reason I quit watching). Other then that I do wish all the ex WWE stars that do go there the best."

[6.0] "It has a special place in my heart all time, and they have potential to be the best in the world at times, but they're too caught up with profits over passion and it shows in the product. In an ideal world, both aew and wwe would be good. Who would not want to have two amazing products to watch week by week? Unfortunately, wwe has been lagging behind. They will still produce a solid match or moment from time to time, but the interest is not there the way it is for other companies right now."

[7.0] "Mystery Wrestling is a fun concept with a unique identity. The comedy and surprise matches can be entertaining, though the overall quality feels a bit inconsistent. Still, it's a nice chang0.23e of pace from regular wrestling shows."

[7.0] "ROH has a legendary history and deserv6.80es a lot of respect for the talent it helped build and its unique identity, especially the Code of Honor and Pure Rules. It's disappointing to see how much of that identity seems to have been lost. The talent is still there, but the promotion deserves more attention and investment to live up to its legacy."

[9.0] "Stardom is simply the best promotion in the world; it offers the best product and boasts a stellar roster featuring some of the world's top female wrestlers. Its ppv are consistently excellent, with main events that always deliver. The promotion also features storylines that while often brief are entertaining; throughout the year, various wrestlers pursue their own goals and narratives, and no matter how small they may seem, they always add value to the overall product. The championship scene is strong, too; while the High Speed Championship can sometimes be underwhelming, the other titles consistently produce great matches. Stardom is a promotion that is well worth watching."