[10.0] "Completely lost its identity after ownership changed. Feels like whoever is running the promotion is stuck in 2018-era thinking, it is run like a "Super Indie" (lack of better term) in which they try to make the match-ups themselves the selling point. The problem is that it isn't 2018 anymore, the fans are just there to watch a wrestling show, none of the wrestlers are stars at all, so what may seem "interesting" to the booking team presumably full of people watching the Australian Scene closely falls flat to a large portion of their fanbase. It sucks to see guys like Rocco and Benny seemingly get removed from shows immediately after ownership changed and replaced with guys who have been on every RCW show for the past 5-10 years - what is that actually accomplishing? I remember watching shows just before the ownership changed, and Rocco was the most popular guy on the card, and Benny had two matches and got over surprisingly well in both. It sucks to see Syd Parker never get brought back, and it sucks to see guys like Malykai, Kray, and Triton seemingly getting phased out now too. Wrestling itself is good, make no mistake. But I get bad elitist vibes whenever I go to a show now, unsure how else to describe it. Updating the rating because I think it's funny the promoter booked Syd again despite them all posting on social media saying cagematch ratings don't matter :^)"
[9.0] "] It is truly amazing to see where ACW is compared to where they used to be. It's not that the previous incarnation of ACW was terrible but you can't deny that the in-ring product, the booking and the production quality has increased 10 fold. It is also such a great thing that their shows are put on YouTube in full and in a really timely fashion. The old ACW where hit and miss with some shows being virtually unwatchable. Now every show I have been to or watched on YouTube has been an extremely satisfying experience! On a side note the story with Mike Boomer, Warpig and Mr. Cliff is one of the most intriguing things I have seen in Adelaide wrestling for a long while. Overall can ACW improve yes but so can all company's in Adelaide. With an increase in advertising I can only imagine the heights ACW can reach."
[1.0] "Honest to God, if dogshit could be a wrestling company, its name would be ACW. From the toxic Mundie era, where Tash would go nuts and shoot on chicks in the ring, to the below-average wrestling and production, it's been a rough watch. Then came the so-called "New Era"... but let's be real, guys, and call it what it is: Riot City Junior. Same cokehead main champ, same underwhelming production, the same undercooked, bone-headed booking, and the same attitude of "let's pop the boys." I've honestly given up on ACW as a whole until they can gain an identity of their own. Until then, you might as well keep watching the Riot Mean Street shows -- it's basically the same roster anyway."
[7.0] "A true workhorse promotion of the Adelaide scene. Having recently undergone a change in ownership in 2025, ACW having begun putting on a variety of "dream matches" utilising both RCW and Wrestle Rampage talent, as well as their current roster of mainstays such as Joey Triton, KIT and Malykai Slic. The quality of filming/editing of shows has also drastically improve since changing ownership, now regularly putting out shows each month on YouTube for free. I hope that ACW can keep this momentum going moving forward and continue to build a well-deserved reputation as a contender to be considered a premier promotion in Australia."